Tag Archives: Ex Machina

Needles and Opium

Posted on November 23, 2013 by barczablog

I’ve just come from one of the most absorbing 105 minutes I’ve ever passed in a theatre, thanks to Robert Lepage.  I take it on faith (from the program, and from the time on my phone when I came out), … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , , , , , | 6 Comments

Lepage’s Walküre, or “Welcome to The Machine, part two”

Posted on May 15, 2011 by barczablog

It doesn’t matter how big they are.  Whether we’re speaking of fame or stature, every singer in the current Metropolitan Opera productions (both Das Rheingold and Die Walküre) directed by Robert Lepage & his Ex Machina group shares the stage … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , , | 5 Comments

Risky performance: when it’s not just a metaphor

Posted on December 24, 2010 by barczablog

Will the new Spiderman musical ever open?  It’s been prohibitively expensive to marry Julie Taymor‘s  vision to the music of Bono & The Edge.  I’ve read estimates of $65 million USD: and counting.  One wonders how many years of full … Continue reading →

Posted in Essays | Tagged , , , , , , , , , , , , , , , | 1 Comment