Tag Archives: 887

Lepage’s Coriolanus: a video sandwich

Posted on May 1, 2020 by barczablog

There’s a particular magic to live theatre that you can almost glimpse in an online transmission, but it’s not really the same, not quite so magical. When I see Coriolanus get into a car onstage that seems to drive into … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Reviews | Tagged , , , , , , , , | Leave a comment

Framing the Pollyanna proposition

Posted on January 9, 2020 by barczablog

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Robert Lepage’s 887 this time

Posted on May 4, 2019 by barczablog

Have you seen Robert Lepage’s 887? This show’s been all over the world. I missed the first Toronto incarnation in 2015 but saw it & raved about  it last time, brought to Toronto via Canadian Stage (one of the co-producers) … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Psychology and perception | Tagged , , , | 2 Comments

887: a quest for redemption for Robert Lepage

Posted on April 2, 2019 by barczablog

There is some irony that Canadian Stage are bringing back Robert Lepage’s 887, both because it’s a powerful piece of theatre that you must see if at all possible, but also as an exploration of memory. Throughout the work Lepage is … Continue reading →

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