Tag Archives: Franz-Josef Selig

Another look at Alden’s Dutchman, a first look at Harold Wilson

Today’s matinee was the Canadian Opera Company’s closing performance of The Flying Dutchman, complete with a singer making his debut. The American bass Harold Wilson stepped in for an indisposed Franz-Josef Selig in the role of Daland. When I looked … Continue reading

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COC Flying Dutchman Opens

I saw and heard opening night of the Canadian Opera Company’s Flying Dutchman tonight at the Four Seasons Centre, a revival of a Christopher Alden production directed for this revival by Marilyn Gronsdal. I liked it a lot. The COC … Continue reading

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François Girard’s Flying Dutchman

François Girard’s production of Richard Wagner’s The Flying Dutchman is tonight’s free opera on the Metropolitan Opera website, available also tomorrow until the early evening when Rigoletto takes over. It’s new as in, having premiered in 2020. I heard & … Continue reading

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Love’s Dark Shore

How apt that in the week of Valentine’s Day, between performances of Tristan und Isolde, a paean to love, that the Canadian Opera  Company should present a concert program titled “Love’s Dark Shore” in the Richard Bradshaw Auditorium.  We heard … Continue reading

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10 Questions for Franz-Josef Selig

German bass Franz-Josef Selig is making his Canadian Opera Company debut as King Marke in Wagner’s Tristan und Isolde. Selig has performed at the world’s great opera houses including the Met, Royal Opera House Covent Garden, La Scala, Wiener Staatsoper, … Continue reading

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Sellars market

At the intermissions of Tristan und Isolde Friday (dress rehearsal) there was madness in the air, a place rife with miscommunication.  Wagner himself said that good performances would make people mad (or crazy), so perhaps that was the problem.  A … Continue reading

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Heppner, Sellars & Viola: Tristan in Toronto

It’s really good. That’s all you need to know.  The Canadian Opera Company’s imported production of Wagner’s Tristan und Isolde (originally presented in Paris in 2005), directed by Peter Sellars with video by Bill Viola is quite simply unforgettable.   And … Continue reading

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