-
Recent Posts
Subjects
- Animals, domestic & wild
- Art, Architecture & Design
- Books & Literature
- Cinema, video & DVDs
- Dance, theatre & musicals
- Essays
- Food, Health and Nutrition
- guest blog
- Interviews
- Music and musicology
- My mother
- Opera
- Personal ruminations & essays
- Politics
- Popular music & culture
- Press Releases and Announcements
- Psychology and perception
- Reviews
- Spirituality & Religion
- Sports
- University life
- Against the Grain Theatre
- Alexander Neef
- Allyson McHardy
- Ambur Braid
- Andrew Haji
- Barbara Hannigan
- Beethoven
- Ben Heppner
- Benjamin Britten
- Canadian Opera Company
- Canadian Stage
- Carla Huhtanen
- Christopher Alden
- Claude Debussy
- COC
- Colin Ainsworth
- David Fallis
- Felix Mendelssohn
- Four Seasons Centre
- Franz Liszt
- Franz Schubert
- George Frideric Handel
- Giacomo Puccini
- Giuseppe Verdi
- Glenn Gould
- Guillermo Silva-Marin
- Gustav Mahler
- Gustavo Gimeno
- Handel
- Hector Berlioz
- Ivars Taurins
- Jeannette Lajeunesse Zingg
- Joel Ivany
- Johannes Debus
- John Adams
- Jonathan Crow
- Koerner Hall
- Krisztina Szabo
- La Clemenza di Tito
- Linda Hutcheon
- Ludwig van Beethoven
- Marshall Pynkoski
- Maurice Ravel
- Meghan Lindsay
- Messiah
- Metropolitan Opera
- Mireille Asselin
- Mozart
- opera
- Opera Atelier
- Parsifal
- Pelleas et Melisande
- Peter Oundjian
- Philip Glass
- Puccini
- Richard Strauss
- Richard Wagner
- Rigoletto
- Robert Carsen
- Robert Lepage
- Roy Thomson Hall
- Russell Braun
- Sky Gilbert
- Sondra Radvanovsky
- Stewart Goodyear
- Tafelmusik Baroque Orchestra
- Talk is Free Theatre
- Tapestry Opera
- Toronto Operetta Theatre
- Toronto Summer Music
- Toronto Symphony Orchestra
- Tristan und Isolde
- Wagner
- William Shakespeare
- Wolfgang Amadeus Mozart
Archives
- June 2023
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
Meta
-
Join 2,322 other subscribers
Tag Archives: Georg Baselitz
Parsifal Bayerische Staatsoper 2018
As a Canadian I regularly see pleasant but undistinguished productions that are enjoyable for some aspects, while leaving me unsatisfied overall. The performance of Parsifal that I watched tonight live-streamed from the Bavarian State Opera, sung and played with such … Continue reading
Posted in Art, Architecture & Design, Opera, Reviews
Tagged Amfortas, Brecht, Christian Gerhaher, Dietrich Fischer-Dieskau, Georg Baselitz, Gustav Neidlinger, Jonas Kaufmann, Julian Crouch, Kirill Petrenko, Klingsor, Kundry, Nina Stemme, Parsifal, Phelim McDermott, Pierre Audi, Richard Wagner, Wolfgang Koch
2 Comments
barczablog 