Tag Archives: opera

Anticipating David James Brock’s upcoming Room of Keys: an interview

Posted on April 2, 2026 by barczablog

Room of Keys is David James Brock’s one act play, created with Adam Sherkin of Piano Lunaire, inspired by Béla Bartók’s Bluebeard’s Castle (1918). It’s natural that a mysterious symbolist play invites exploration. As with the piano paraphrases of La … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged Adam Sherkin, Arnold Schoenberg, Bela Bartok, Bluebeard's Castle, classical-music, David James Brock, erwartung, La Reine-Garçon, music, NanoSTAGE, opera, piano, Piano Lunaire, Robert Lepage, Room of Keys, Timothee Chalamet, writing | Leave a comment

Ugly crying at Yuval Sharon’s brilliant Tristan und Isolde from the Metropolitan Opera

Posted on March 23, 2026 by barczablog

Saturday March 21st I was among the viewers in a Scarborough Cineplex watching and listening to the Metropolitan Opera high definition broadcast of Tristan und Isolde directed by Yuval Sharon, conducted by Yannick Nezet-Seguin. At least as far as the … Continue reading →

Posted in Opera, Reviews | Tagged Cineplex, classical-music, Gary Halvorson, Jon Vickers, Liebestod, Lise Davidsen, Metropolitan Opera Company, Metropolitan Opera High Definition Broadcast, Michael Spyres, music, Norman Lebrecht, opera, Pelléas et Mélisande, Richard Wagner, Tomasz Konieczny, Tristan und Isolde, Yannick Nezet-seguin, Yuja Wang, Yuval sharon | 4 Comments

Interviewing soprano Sarah Dufresne

Posted on March 5, 2026 by barczablog

Reviewers work after the fact, which means that sometimes we only notice stars when the show is over, especially when we are seeing the artist for the first time. So here I am belatedly interviewing Sarah Dufresne, long after her … Continue reading →

Posted in Interviews, Opera | Tagged art, Barrie Kosky, Canadian Opera Company, Carmen, Florence Pugh, Gilda, Hamlet, Ian Sabourin, opera, Opera de Montreal, Ophélie, Pacific Opera Victoria, Rigoletto, Royal Opera, Sarah Dufresne, Siegfried, Teatro alla Scala, Verdi | 2 Comments

A closer look at the COC’s zany Barber of Seville

Posted on February 22, 2026 by barczablog

Your tickets to the opera really are a case of “location location location”. When I saw the Canadian Opera Company’s Barber of Seville two weeks ago seated in the middle of the downstairs at the Four Seasons Centre, yes I … Continue reading →

Posted in Opera, Press Releases and Announcements, Reviews | Tagged Ariadne auf Naxos, Barber of Seville, Benjamin Britten, Canadian Opera Company, Cherie Dimaline, classical-music, Cosi fan tutte, Daniela Candillari, Dave Monaco, David Ferguson, Deepa Johnny, Elixir of Love, Four Seasons Centre, Gioachino Rossini, Ian Cusson, Ian Derrer, Joan Font, Joan Guillén, La Traviata, Luca Pisaroni, Luke Sutliff, music, Nathan Keoughan, opera, Perryn Leech, Pietro Adaini, Renato Girolami, Richard Strauss, Robert Lepage, Rossini, theatre, Turn of the Screw | Leave a comment

Opera Salon Series: Romanticism & Bel Canto

Posted on February 1, 2026 by barczablog

Today I attended a Voicebox: Opera in Concert Opera Salon, highlighting Romanticism & Bel Canto. I want to see any concert or presentation that offers us a new way to offer opera and to find an audience. We’ve seen arias … Continue reading →

Posted in Opera, Reviews | Tagged Alexander Cappellazzo, bel canto, Cassandra Amorim, classical-music, Diana Rockwell, Edward Jackman Centre, Erich Wolfgang Korngold, Evan Korbut, Gaetano Donizetti, Giacomo Meyerbeer, Giuseppe Verdi, Guillermo Silva-Marin, Henry Ingram, Holly Chaplin, Jules Massenet, Justin Welsh, Michael William Balfe, music, opera, Romanticism, Vincenzo Bellini, Voicebox Opera in Concert | Leave a comment

Tafelmusik Messiah sounds new through the drama of live performance

Posted on December 20, 2025 by barczablog

While there’s something comforting in being able to return to a classic text year after year, I always hope to find ways to make it a fresh experience. Tafelmusik’s first 2025 Messiah on Thursday December 18th at Koerner Hall had … Continue reading →

Posted in Music and musicology, Reviews | Tagged Baroque, Benjamin Done, classical-music, George Frideric Handel, Handel, Ivars Taurins, Jonathan Woody, Kathryn James Adduci, Koerner Hall, Krisztina Szabó, Massey Hall, Messiah, music, Nicholas Scott, opera, Singalong, Stefanie True, Tafelmusik Baroque Orchestra, Tafelmusik Chamber Choir | 2 Comments

Interviewing versatile tenor Scott Rumble

Posted on December 7, 2025 by barczablog

I have heard tenor Scott Rumble a few times, a young artist who impressed both vocally and dramatically in Toronto Operetta Theatre’s Die Fledermaus in 2022. Ah how I wish I could have seen him take on the heroic role … Continue reading →

Posted in Interviews, Opera | Tagged Ariadne auf Naxos, books, classical-music, Die Walküre, Guillermo Silva-Marin, Gwenlynn Little, Imre Kalman, James Patrick Raftery, Jon Vickers, opera, operetta, Orchestra Toronto, Peter Hofmann, Scott Rumble, Siegmund, theatre, Torin Chiles, Toronto Operetta Theatre | Leave a comment

Superb Orfeo revival

Posted on October 13, 2025 by barczablog

I was delighted by the Canadian Opera Company revival of Gluck’s Orfeo ed Euridice Saturday at the Four Seasons Centre. Although I thought I liked it well enough when I saw it in 2011 I never expected the gushing tears … Continue reading →

Posted in Opera, Reviews | Tagged Anna-Sophie Neher, Bernard Labadie, Canadian Opera Company, Catherine St-Arnaud, Christoph Willibald Gluck, Christophe Gayra, classical-music, Four Seasons Centre, Iestyn Davies, music, opera, Orfeo ed Euridice, Ranieri de' Calzabigi, reform opera, review, Robert Carsen, Sandra Horst | Leave a comment

William Shookhoff discusses political operas: Menotti’s The Consul from Opera By Request

Posted on October 10, 2025 by barczablog

Opera by Request will be presenting Giancarlo Menotti’s The Consul, an opera premiered in 1950 during the Red Scare, a time with significant parallels to our own. I asked William (Bill) Shookhoff, the Artistic Director of OBR, about the project. … Continue reading →

Posted in Interviews, Opera, Politics, Press Releases and Announcements | Tagged Brigitte Bogar, Brittany Stewart, College Street United Church, Giancarlo Menotti, Human Rights organizations, Joshua Read, Julia MacVicar, Karina Bray, Kenneth Baker, Lucas Kuipers, Monica Zerbe, music, opera, Opera by Request, Politics, Red Scare, Sebastien Belcourt, Taylor Gibbs, The Consul, William Shookhoff | Leave a comment

COC’s highly original Roméo et Juliette

Posted on October 6, 2025 by barczablog

It might be the best-known of all Shakespeare stories, the star-crossed lovers, dying young for love. Romeo and Juliet becomes Roméo et Juliette when a French composer such as Charles Gounod (1867) is telling the story in music. The rental … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Gordon Bintner, Jules Barbier, Kseniia Proshina, Megan Latham, Michel Carré, music, opera, Owen McCausland, Robert Lepage, Robert Pomakov, Roméo et Juliette, Romeo and Juliet, Sandra Horst, Stephen Costello, surtitles, theatre, Yves Abel | 2 Comments