Tag Archives: opera

Interviewing soprano Sarah Dufresne

Posted on March 5, 2026 by barczablog

Reviewers work after the fact, which means that sometimes we only notice stars when the show is over, especially when we are seeing the artist for the first time. So here I am belatedly interviewing Sarah Dufresne, long after her … Continue reading →

Posted in Interviews, Opera | Tagged art, Barrie Kosky, Canadian Opera Company, Carmen, Florence Pugh, Gilda, Hamlet, Ian Sabourin, opera, Opera de Montreal, Ophélie, Pacific Opera Victoria, Rigoletto, Royal Opera, Sarah Dufresne, Siegfried, Teatro alla Scala, Verdi | 2 Comments

A closer look at the COC’s zany Barber of Seville

Posted on February 22, 2026 by barczablog

Your tickets to the opera really are a case of “location location location”. When I saw the Canadian Opera Company’s Barber of Seville two weeks ago seated in the middle of the downstairs at the Four Seasons Centre, yes I … Continue reading →

Posted in Opera, Press Releases and Announcements, Reviews | Tagged Ariadne auf Naxos, Barber of Seville, Benjamin Britten, Canadian Opera Company, Cherie Dimaline, classical-music, Cosi fan tutte, Daniela Candillari, Dave Monaco, David Ferguson, Deepa Johnny, Elixir of Love, Four Seasons Centre, Gioachino Rossini, Ian Cusson, Ian Derrer, Joan Font, Joan Guillén, La Traviata, Luca Pisaroni, Luke Sutliff, music, Nathan Keoughan, opera, Perryn Leech, Pietro Adaini, Renato Girolami, Richard Strauss, Robert Lepage, Rossini, theatre, Turn of the Screw | Leave a comment

Opera Salon Series: Romanticism & Bel Canto

Posted on February 1, 2026 by barczablog

Today I attended a Voicebox: Opera in Concert Opera Salon, highlighting Romanticism & Bel Canto. I want to see any concert or presentation that offers us a new way to offer opera and to find an audience. We’ve seen arias … Continue reading →

Posted in Opera, Reviews | Tagged Alexander Cappellazzo, bel canto, Cassandra Amorim, classical-music, Diana Rockwell, Edward Jackman Centre, Erich Wolfgang Korngold, Evan Korbut, Gaetano Donizetti, Giacomo Meyerbeer, Giuseppe Verdi, Guillermo Silva-Marin, Henry Ingram, Holly Chaplin, Jules Massenet, Justin Welsh, Michael William Balfe, music, opera, Romanticism, Vincenzo Bellini, Voicebox Opera in Concert | Leave a comment

Tafelmusik Messiah sounds new through the drama of live performance

Posted on December 20, 2025 by barczablog

While there’s something comforting in being able to return to a classic text year after year, I always hope to find ways to make it a fresh experience. Tafelmusik’s first 2025 Messiah on Thursday December 18th at Koerner Hall had … Continue reading →

Posted in Music and musicology, Reviews | Tagged Baroque, Benjamin Done, classical-music, George Frideric Handel, Handel, Ivars Taurins, Jonathan Woody, Kathryn James Adduci, Koerner Hall, Krisztina Szabó, Massey Hall, Messiah, music, Nicholas Scott, opera, Singalong, Stefanie True, Tafelmusik Baroque Orchestra, Tafelmusik Chamber Choir | 2 Comments

Interviewing versatile tenor Scott Rumble

Posted on December 7, 2025 by barczablog

I have heard tenor Scott Rumble a few times, a young artist who impressed both vocally and dramatically in Toronto Operetta Theatre’s Die Fledermaus in 2022. Ah how I wish I could have seen him take on the heroic role … Continue reading →

Posted in Interviews, Opera | Tagged Ariadne auf Naxos, books, classical-music, Die Walküre, Guillermo Silva-Marin, Gwenlynn Little, Imre Kalman, James Patrick Raftery, Jon Vickers, opera, operetta, Orchestra Toronto, Peter Hofmann, Scott Rumble, Siegmund, theatre, Torin Chiles, Toronto Operetta Theatre | Leave a comment

Superb Orfeo revival

Posted on October 13, 2025 by barczablog

I was delighted by the Canadian Opera Company revival of Gluck’s Orfeo ed Euridice Saturday at the Four Seasons Centre. Although I thought I liked it well enough when I saw it in 2011 I never expected the gushing tears … Continue reading →

Posted in Opera, Reviews | Tagged Anna-Sophie Neher, Bernard Labadie, Canadian Opera Company, Catherine St-Arnaud, Christoph Willibald Gluck, Christophe Gayra, classical-music, Four Seasons Centre, Iestyn Davies, music, opera, Orfeo ed Euridice, Ranieri de' Calzabigi, reform opera, review, Robert Carsen, Sandra Horst | Leave a comment

William Shookhoff discusses political operas: Menotti’s The Consul from Opera By Request

Posted on October 10, 2025 by barczablog

Opera by Request will be presenting Giancarlo Menotti’s The Consul, an opera premiered in 1950 during the Red Scare, a time with significant parallels to our own. I asked William (Bill) Shookhoff, the Artistic Director of OBR, about the project. … Continue reading →

Posted in Interviews, Opera, Politics, Press Releases and Announcements | Tagged Brigitte Bogar, Brittany Stewart, College Street United Church, Giancarlo Menotti, Human Rights organizations, Joshua Read, Julia MacVicar, Karina Bray, Kenneth Baker, Lucas Kuipers, Monica Zerbe, music, opera, Opera by Request, Politics, Red Scare, Sebastien Belcourt, Taylor Gibbs, The Consul, William Shookhoff | Leave a comment

COC’s highly original Roméo et Juliette

Posted on October 6, 2025 by barczablog

It might be the best-known of all Shakespeare stories, the star-crossed lovers, dying young for love. Romeo and Juliet becomes Roméo et Juliette when a French composer such as Charles Gounod (1867) is telling the story in music. The rental … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Gordon Bintner, Jules Barbier, Kseniia Proshina, Megan Latham, Michel Carré, music, opera, Owen McCausland, Robert Lepage, Robert Pomakov, Roméo et Juliette, Romeo and Juliet, Sandra Horst, Stephen Costello, surtitles, theatre, Yves Abel | 2 Comments

Holly Chaplin and Ryan Hofman talk about their upcoming La Boheme On Tap

Posted on September 12, 2025 by barczablog

La Boheme is being presented at the Redwood Theatre on Friday September19th 8:00 p.m., a co-production with The Redwood Theatre including a silent auction in support of Daily Bread Food Bank. I talked to Holly Chaplin who sings the starring … Continue reading →

Posted in Interviews, Opera | Tagged Canadian Opera Company, classical-music, Elmwood Spa, genre, Giacomo Puccini, Holly Chaplin, La boheme, La Boheme On Tap, Massey Hall, Moonstruck, music, National Ballet of Canada, opera, Opera Revue, Puccini, Redwood Theatre, Ryan Hofman, SOLO, Southern Ontario Lyric Opera, theatre, Toronto Symphony Orchestra | Leave a comment

Alexander Hajek talks about the upcoming La Boheme On Tap

Posted on September 10, 2025 by barczablog

La Boheme is being presented at the Redwood Theatre on Friday September19th 8:00 p.m., a co-production with The Redwood Theatre in Support of Daily Bread Food Bank. I talked to Alexander Hajek who sings the role of Marcello the painter. … Continue reading →

Posted in Interviews, Opera, Personal ruminations & essays | Tagged Alexander Hajek, Carmina Burana, classical-music, Daily Bread Food Bank, genre, Giacomo Puccini, La boheme, La Boheme On Tap, music, opera, Opera Revue, Puccini, Redwood Theatre, theatre | Leave a comment