Tag Archives: Stephen Lord

Not #MeToo

Posted on February 14, 2020 by barczablog

I’m upset. It’s not that I’m having a bad day. I just keep hearing news that’s upsetting. Two very different women I knew, each an avatar of female strength, have passed away. I met each of them, knew them very … Continue reading →

Posted in Books & Literature, Opera, Personal ruminations & essays, Politics, University life | Tagged , , , , , , , | Leave a comment

COC Ballo voices

Posted on February 21, 2014 by barczablog

Back on February 2nd (aka Groundhog Day: when the cowardly little varmints ran back into their little holes) I had a choice.  I could have gone to see the opening of the Canadian Opera Company’s Ballo in maschera, which purported … Continue reading →

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Verdi’s Many Masks

Posted on January 25, 2014 by barczablog

The Canadian Opera Company open a production of Giuseppe Verdi’s opera Un ballo in maschera next week.  It’s placed in a modern setting, one that might have you wondering whether Verdi’s instructions are being flouted by a directorial intervention.  But … Continue reading →

Posted in Opera, Politics | Tagged , , , , , , | 7 Comments

10 questions for Stephen Lord

Posted on December 31, 2013 by barczablog

Identified by Opera News as one of the “25 Most Powerful Names in US Opera”, Stephen Lord is a conductor known for his sensitive handling of singers.  In my review of April’s Canadian Opera Company production of Lucia di Lammermoor … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , , , , , , , , , , , | 15 Comments

Lucia meets Carrie

Posted on April 18, 2013 by barczablog

Tonight the Canadian Opera Company opened their new production of Donizetti’s Lucia di Lammermoor, the dark tale of a bride forced to marry against her will who goes mad on her wedding night, killing her new husband.  This is not … Continue reading →

Posted in Reviews | Tagged , , , , , , , , , , , , | 3 Comments

10 Questions for Stephen Costello

Posted on April 10, 2013 by barczablog

The fast-rising young tenor Stephen Costello has firmly established himself as one of the current generation’s most impressive artists.  He came to national attention in 2007 when, at age 26, he debuted at the Met’s season-opening night and was quickly … Continue reading →

Posted in Interviews | Tagged , , , , , , , , , , , , , , , | 1 Comment