Author Archives: barczablog

10 Questions for Jocelyn Morlock 

Posted on January 7, 2015 by barczablog

Juno-nominated composer Jocelyn Morlock is one of Canada’s most distinctive voices. She is Vancouver Symphony Orchestra’s Composer in Residence having just completed a term as inaugural Composer in Residence for Vancouver’s innovative concert series, Music on Main (2012 – 2014). … Continue reading →

Posted in Interviews, Music and musicology | Tagged , , , , , | 5 Comments

Bud Roach: Arias for Tenor and Baroque Guitar

Posted on January 6, 2015 by barczablog

Every now and then a recording or performance comes along to challenge your assumptions, possibly giving you a new way of seeing things.    I’ve been listening to two Bud Roach CDs: 1-Sospiro: Alessandro Grandi Complete Arias, 1626 (recorded in … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Reviews | Tagged , , , , | 2 Comments

10 Questions for Christine Goerke

Posted on January 6, 2015 by barczablog

It’s a coup when a great international artist comes to your city. But when the artist in question is one of the most talked-about singers of the year? AND she’s choosing to make her most important role-debut here in this … Continue reading →

Posted in Interviews, Opera | Tagged , , , | 2 Comments

Two books for the choral conductor: mortality at my fingertip

Posted on January 1, 2015 by barczablog

As the old year winds down I’m aware of the passage of time.  Reminders of mortality prod me, as if to say “you’re getting old”. To be more accurate, I’ve acted as though I were indestructible, denying my own pain, … Continue reading →

Posted in Books & Literature, Music and musicology, Reviews | 4 Comments

Colorature: a CD from Marie-Eve Munger, soprano

Posted on December 30, 2014 by barczablog

My favourite lines in the film The Blues Brothers? The moment when The Brothers arrive at their gig, pretending to be “The Goodtime Boys”, and enquire what sort of music this establishment usually offers. “oh we got both kinds: country AND … Continue reading →

Posted in Music and musicology, Reviews | Tagged | Leave a comment

10 Questions for Darren Russo

Posted on December 30, 2014 by barczablog

Darren Russo is a composer born in 1984 in Montreal, Quebec.  In 2006 he began his bachelor’s degree in music composition at McGill, including studies with Chris Paul Harman, and Jean Lesage. He was awarded positions as composer-in-residence for the … Continue reading →

Posted in Interviews, Opera | Tagged , | 1 Comment

Toronto Operetta Theatre’s Mikado

Posted on December 28, 2014 by barczablog

Although I haven’t seen many shows from Toronto Operetta Theatre, tonight’s is timely, after the social media debates between armchair Artistic Directors concerning management strategies. In the years to come we’re likely to see a scaling back of the boldest … Continue reading →

Posted in Music and musicology, Opera, Reviews | 2 Comments

Die Meistersinger von Glyndebourne

Posted on December 23, 2014 by barczablog

I’m trying to understand why I responded the way I did to the Glyndebourne production of Wagner’s Die Meistersinger. It’s a relatively straight-forward production that might even be called conservative. David McVicar and the team who made the DVD have … Continue reading →

Posted in Opera, Reviews | 4 Comments

Maus in the haus: Art Spiegelman retrospective at AGO

Posted on December 19, 2014 by barczablog

I saw Art Spiegelman interviewed at the media preview for his retrospective at the Art Gallery of Ontario.  I suppose if I were like a typical critic I’d just start talking without a preamble, because (nervous cough) everyone knows his … Continue reading →

Posted in Books & Literature, Personal ruminations & essays, Popular music & culture, Reviews | Tagged , , | 1 Comment

Toronto Symphony Orchestra’s Messiah opens

Posted on December 17, 2014 by barczablog

It’s Messiah season in Toronto.  I understand there are other towns that present Handel’s oratorio, but does any city go quite as nuts as Toronto?  Everywhere I turn it’s happening.  I sang a bit at my church, a friend conducted … Continue reading →

Posted in Music and musicology, Reviews | 1 Comment