Category Archives: Dance, theatre & musicals

I Call myself Princess

Posted on September 12, 2018 by barczablog

I watched and listened to the second preview of I Call Myself Princess, Jani Lauzon’s impressive new play with opera, presented at Aki Studio in a collaboration between A Paper Canoe Projects, Cahoots Theatre and Native Earth Performing Arts. Genre … Continue reading →

Posted in Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Reviews, Spirituality & Religion | Tagged A Paper Canoe Projects, Aaron Wells, Cahoots Theatre, Charles Wakefield Cadman, Courtney Ch’ng Lancaster, Howard Davis, I Call Myself Princess, Jani Lauzon, Jeremy Dutcher, Marion Newman, Marjorie Chan, Native Earth Performing Arts, Peter Hinton, Richard Greenblatt | 1 Comment

Yiddish Glory: The Lost Songs of World War II

Posted on August 29, 2018 by barczablog

Tonight was the opening night concert of the 2018 Ashkenaz Festival at Koerner Hall, an unforgettable evening of Yiddish culture titled “Yiddish Glory: The Lost Songs of World War II”. For awhile Soviet scholars worked to assemble an archive of … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Politics, Popular music & culture, Spirituality & Religion, University life | Tagged Anna Shternshis, Ashkenaz Festival, Josef Stalin, Psoy Korolenko, Yiddish Glory | 2 Comments

To re-purpose

Posted on August 12, 2018 by barczablog

The word is in my head after The Death of Stalin. Iannucci’s film takes music and uses it in new ways. Whether we’re talking about John Hughes, Stanley Kubrick or your organist at church, the re-use of an existing piece … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Popular music & culture | Tagged A Midsummernight's Dream, Anita Louise, Charlottesville, Erich Wolfgang Korngold, Felix Mendelssohn, Iannucci, Ludwig van Beethoven, Max Reinhardt, Melodrama, Shakespeare, Spinning Song, Tchaikovsky, Venetian Boat Song | Leave a comment

L’Histoire du Toronto Summer Music

Posted on July 20, 2018 by barczablog

It was all there tonight, on the stage of Koerner Hall. Sometimes concerts are microcosms that allow you to see and grasp everything in one lucid moment. It’s the second year of Jonathan Crow’s tenure as Artistic Director of the … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera | Tagged Alaina Viau, Derek Boyes, Jennifer Nichols, Jonathan Crow, Kelly Zimba, Koerner Hall, Miles Jaques, Suzanne Roberts Smith, Toronto Summer Music, Toronto Symphony Orchestra, TSM Academy Fellows, TSO Chamber Soloists | Leave a comment

Against the Grain Orphée+

Posted on April 28, 2018 by barczablog

Orphée+? That plus sign might signify an opera updated, enlarged, perhaps even reformed(?). The “+” means some remarkable additions and changes from Gluck’s original, Orphée et Eurydice (or the Italian version aka Orfeo ed Euridice). Gluck created more than one … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Popular music & culture, Reviews | Tagged aerials, Against the Grain Theatre, Barbara Hannigan, burlesque, John Gzowski, Marcy Richardson, Mireille Asselin, Opera Columbus, Robert Carsen, S Katy Tucker, Siman Chung, Topher Mokrzewski | 2 Comments

Eagerly anticipating Against the Grain’s Orphée⁺ next week

Posted on April 21, 2018 by barczablog

I’m writing about Against the Grain Theatre right now as I think about their imminent co-production of Gluck’s opera, that they are calling Orphée⁺ (the original press release said “an international co-production between AtG, the Banff Centre for Arts and Creativity, and Opera Columbus“, … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays | Tagged aerial, Against the Grain Theatre, burlesque, Canadian Opera Company, erwartung, Gluck, Joel Ivany, Opera Atelier, Opera Columbus, Orphee, Robert Lepage, Tafelmusik Baroque Orchestra, Topher Mokrzewski | Leave a comment

Questions for Tracy Dahl

Posted on April 19, 2018 by barczablog

In the recent Canadian Opera Company Cosi fan tutte from just over 4 years ago, Tracy Dahl’s sparkling portrayal of Despina was the breath of fresh air that we desperately needed in Atom Egoyan’s dark intense interpretation. Here’s what I … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera | Leave a comment

Mixie and the Halfbreeds

Posted on April 8, 2018 by barczablog

My visit to the eye doctor today reminds me that when all’s said and done I must look at the world through my own lens. I was at the theatre tonight to see Mixie and the Halfbreeds by Julie Tamiko … Continue reading →

Posted in Dance, theatre & musicals, Politics, Reviews | Leave a comment

Scorched by Mouawad

Posted on March 8, 2018 by barczablog

Tonight I completed my Wajdi Mouawad trilogy. Last month I saw his production of Abduction from the Seraglio at the Canadian Opera Company twice, last week I saw Denis Villeneuve’s film Incendies, adapted from the play that I saw tonight. … Continue reading →

Posted in Dance, theatre & musicals, Politics, Reviews, University life | 2 Comments

Incendies, Scorched & the Seraglio

Posted on February 28, 2018 by barczablog

I’ve just seen Denis Villeneuve’s Oscar nominated film adaptation of Wajdi Mouawad’s play Incendies. I’m looking forward to seeing a translation of the play presented here in Toronto next week, titled Scorched. I couldn’t miss the parallels to what we … Continue reading →

Posted in Dance, theatre & musicals, Opera, Politics, University life | 3 Comments