Category Archives: Dance, theatre & musicals

Candide at Toronto Operetta Theatre

Posted on December 29, 2017 by barczablog

Tonight was the first of six performances of Leonard Bernstein’s Candide, running on consecutive weekends (evenings of Dec 28 & 30 Jan 5 & 6, matinees of Dec 31 & Jan 7), presented at the Bluma Appel Theatre by Toronto … Continue reading →

Posted in Dance, theatre & musicals | 1 Comment

Questions for Derek Bate

Posted on December 19, 2017 by barczablog

Derek Bate has impacted different aspects of the musical life of Toronto, known both for music-theatre & opera. A one time Chorus Master of the Canadian Opera Company, Derek was in the pit for the original Toronto Production of Les … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera | 1 Comment

TIFT Candide

Posted on December 3, 2017 by barczablog

While 2017 was a year to celebrate Canada’s 150th, we’re now coming up on the 100th birthday of Leonard Bernstein.  Whether you pronounce it Bern–steen or Bern-stine, the composer, pianist & conductor was born in 1918, which means that it … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | 3 Comments

Haus Musik: lavender love letter

Posted on November 17, 2017 by barczablog

I am always inclined to appreciate artists who choose the ambitious path. Tonight’s Haus Musik in The Great Hall directed by Jennifer Nichols aimed to make some challenging connections. This multi-disciplinary work (live music, a DJ, video, painting, poetry in … Continue reading →

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Tremendous Triptyque

Posted on November 16, 2017 by barczablog

We’re in the twilight of Matthew Jocelyn’s time at Canadian Stage, a near- decade of unprecedented multi-disciplinarity.  We’ve had dance, we’ve had opera, and yes, theatre that combines disciplines.  We’ve had several offerings from Crystal Pite, from Robert Lepage, and … Continue reading →

Posted in Dance, theatre & musicals | 2 Comments

Putnam County: nerds rule

Posted on November 12, 2017 by barczablog

The 25th Annual Putnam County Spelling Bee (PCSB) is not just a musical but also an irresistible evocation of youth, concealed erections and performance anxiety.  A spelling contest is the microcosm, and in this world the nerds rule: not unlike … Continue reading →

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Jennifer Nichols talks about Haus Musik Crossing / Traversée

Posted on November 11, 2017 by barczablog

I invited Jennifer Nichols to talk about Haus Musik. If I understand the concept Haus Musik aims to do what every classical music company seeks: re-packaging and re-inventing their content in new ways in the quest for that elusive younger … Continue reading →

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Questions for Madeleine Jullian: directing GASH

Posted on November 8, 2017 by barczablog

Madeleine Jullian has worked as an actor, writer, and director in Berlin, London, and Toronto.  She produced and directed Nick Dipchand’s solo show The Nature of a Bullet as part of the Toronto Fringe in 2013 and produced a double … Continue reading →

Posted in Dance, theatre & musicals, Interviews | 1 Comment

Legends of Horror

Posted on November 1, 2017 by barczablog

If you like your theatre interactive, I have the show for you. But whoops tonight was the closing night. Even so I am betting that Legends of Horror will come back to Casa Loma next year.  I sure hope so.  … Continue reading →

Posted in Dance, theatre & musicals, Popular music & culture, Reviews | 1 Comment

Adizokan images

Posted on October 8, 2017 by barczablog

I’m adding a bit to what I posted last night. I can’t deny that my understanding of Adizokan is only partial.  I wanted to mention the dancers, namely Eddie Elliott, Lonii Garnons-Williams, Julie Pham, and Jera Wolfe, plus Michel Muniidobenese  … Continue reading →

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