Category Archives: Dance, theatre & musicals

The Return and its promise

Posted on May 5, 2017 by barczablog

Three performances remain of The Return (il ritorno) at the Bluma Appel Theatre, the last of Canadian Stage’s “Spotlight Australia”, a kind of festival that they’ve offered the past few weeks.  The Return, from Circa appears to be the creation of Yaron Lifschitz, … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | 3 Comments

Questions for Evan Webber: Other Jesus

Posted on April 11, 2017 by barczablog

Evan Webber is a writer and performance maker who lives in Toronto. Evan’s work considers the relationship between time and text, and between narratives and institutions. Evan is an Associate Artist of Public Recordings, a collaborative operation that conjoins artistic research, performance … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Spirituality & Religion | Leave a comment

Robert Lepage speaks white in 887

Posted on April 8, 2017 by barczablog

Although I missed Robert Lepage’s 887 the first time it came to Toronto in 2015 (during the Pan Am Games) I’m glad I was able to see it today with Canadian Stage at the Bluma Appel, in a short run … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Politics | 3 Comments

Liv Stein

Posted on January 27, 2017 by barczablog

I’ve just come home from opening night of Nino Haratischwili’s play Liv Stein presented by Canadian Stage, directed by Matthew Jocelyn. The first time I see something, a big part of my energy does into distinguishing between what’s exciting in … Continue reading →

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Questions for Birgit Schreyer Duarte: translator of Liv Stein

Posted on January 18, 2017 by barczablog

I was fortunate to encounter the work of Birgit Schreyer Duarte while she was still a student at the University of Toronto, over a decade ago. While one may sometimes see remarkable talents among a student population, she was at … Continue reading →

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Danny and that question

Posted on January 9, 2017 by barczablog

I’m viewing Danny and the Deep Blue Sea, the live show I saw previewed tonight, through the same lens through which I stared at La La Land last night. Yesterday was a big movie house full of people. Tonight was … Continue reading →

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Questions for Dylan Brenton: Danny & the Deep Blue Sea

Posted on December 27, 2016 by barczablog

Dylan Brenton is one of the founding members of Wolf Manor Theatre Collective, their Artistic Director and a member of the Ensemble. Here’s how the WMTC describe themselves & their mission: Wolf Manor Theatre Collective are a Toronto based theatre … Continue reading →

Posted in Dance, theatre & musicals, Interviews | 1 Comment

Filament Incubator – Paradise Comics

Posted on November 30, 2016 by barczablog

It sounds challenging, this objective of Filament Incubator to produce eight plays in eight months and as far as I can tell they pulled it off. How difficult is it? To put it in context, you’d have to look at … Continue reading →

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Balancing on the Edge: of…(?)

Posted on November 20, 2016 by barczablog

At Harbourfront Centre I had the pleasure of attending a christening, for Balancing on the Edge is the tender infant resulting from a romance. Thin Edge Musical Collective met A Girl in the Sky Productions. New Circus and New Music … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology | 3 Comments

Chaotic Dollhouse all too real

Posted on November 19, 2016 by barczablog

Here’s what I found on the Coleman Lemieux website concerning Dollhouse, their new work currently being presented by Canadian Stage: Dollhouse is a work created for galleries, cross-disciplinary exhibitions, music centres, theatres, and all manner of other places of learning … Continue reading →

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