Category Archives: Music and musicology

Tafelmusik: now wait for next year

Posted on May 6, 2017 by barczablog

Tafelmusik are finishing their 2016-17 season with a series of concerts this weekend at Koerner Hall: that portend great things for next year. And maybe that’s what they wanted to do, leaving us all hot and bothered in anticipation of … Continue reading →

Posted in Music and musicology, Reviews | 1 Comment

On the road again: TSO prepare to tour

Posted on May 4, 2017 by barczablog

Tonight was the first of two farewell concerts for the Toronto Symphony before a two week tour taking them to Tel Aviv & Jerusalem, and then Prague for a residency that Conductor Peter Oundjian spoke of, to honour Karel Ancerl, … Continue reading →

Posted in Music and musicology, Reviews | Leave a comment

JS Bach’s St Mark Passion according to Heighes

Posted on April 15, 2017 by barczablog

In addition to the two well-known passions by JS Bach (the ones based on the gospels according to St Matthew and St John) there’s also the Passion according to St Mark that we know to have been performed at least … Continue reading →

Posted in Music and musicology, Reviews | 1 Comment

TSO Maundy Thursday matinee

Posted on April 14, 2017 by barczablog

Today I had the pleasure of hearing the Toronto Symphony in an afternoon concert, repeating most of last night’s program. The energy is different in the middle of the day especially mid-week. The matinee extends a win-streak of wonderful playing … Continue reading →

Posted in Music and musicology, Reviews | Leave a comment

Robert Lepage speaks white in 887

Posted on April 8, 2017 by barczablog

Although I missed Robert Lepage’s 887 the first time it came to Toronto in 2015 (during the Pan Am Games) I’m glad I was able to see it today with Canadian Stage at the Bluma Appel, in a short run … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Politics | 3 Comments

Dausgaard leads TSO

Posted on April 8, 2017 by barczablog

Judging by the way the Toronto Symphony are responding to their current series of guest conductors, I have to wonder. Are they better than we realize? Perhaps it’s unrealistic to expect so much excitement from a resident music-director. Or then … Continue reading →

Posted in Music and musicology, Reviews | Leave a comment

TSO’s Beethoven & Stravinsky

Posted on April 2, 2017 by barczablog

There are several different currents flowing through Roy Thomson Hall right now, and each one is inspiring the Toronto Symphony and their audience in different ways. We’re hearing two minute Sesquis: original little jewels to commemorate the Canadian Sesquicentennial. We’re … Continue reading →

Posted in Music and musicology, Reviews | Leave a comment

Raiders: Williams & the matter of popularity

Posted on March 30, 2017 by barczablog

The recent fad for films with live accompaniment is shining a light on artistry that has often languished in obscurity.  Oh sure, film music composers are well paid, especially someone like John Williams, composer of the score for Raiders of … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Reviews | Leave a comment

Tallis Scholars & friends: Magnificat

Posted on March 26, 2017 by barczablog

Tonight felt like a kind of affirmation of permanence in the face of change and disorder in the world. The Tallis Scholars, conducted by Peter Phillips, joined forces with two University of Toronto ensembles –Schola Cantorum and Theatre of Early … Continue reading →

Posted in Music and musicology, Reviews, Spirituality & Religion | 1 Comment

Lintu Finesses TSO

Posted on March 24, 2017 by barczablog

I don’t know if Hannu Lintu is a candidate to succeed Peter Oundjian or not, but I wish he were.  The Finnish conductor enticed some of the finest playing I’ve heard all season out of the Toronto Symphony in a … Continue reading →

Posted in Music and musicology, Reviews | 2 Comments