Category Archives: Music and musicology

TSO – A Mind of Winter

Posted on March 1, 2015 by barczablog

“A Mind of Winter” is the name of a composition as well as the title for tonight’s Toronto Symphony concert in their New Creations Festival, curated by composer George Benjamin and featuring the residency of singer & conductor Barbara Hannigan. … Continue reading →

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Soundstreams’ Whisper Opera and the meaning of meaning

Posted on February 28, 2015 by barczablog

It’s a cute phrase I heard in a Tom Robbins novel, as someone speaks in passing of “the meaning of meaning”. I love it because it simultaneously references our understanding (and what it means to mean) and yet sounds like … Continue reading →

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10 Questions for Leslie Dala

Posted on February 26, 2015 by barczablog

Conductor Leslie Dala aka Les Dala is especially well-known out west, having conducted at the Vancouver Opera, Pacific Opera Victoria and Vancouver Bach Choir, at Banff Centre and UBC Opera Ensemble.  In October 2014 he conducted Vancouver Opera’s world premiere … Continue reading →

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Barbara Hannigan “dissolved in swirling sound… a spark of the holy fire”

Posted on February 25, 2015 by barczablog

The title of the movement is “Entrückung”, the text by Stefan George, the score to the String Quartet by Arnold Schoenberg, the concert part of the New Creations Festival curated by George Benjamin, a late-afternoon incarnation of the Canadian Opera … Continue reading →

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10 Questions for Barbara Hannigan

Posted on February 21, 2015 by barczablog

Barbara Hannigan is one of Canada’s most remarkable exports, a brilliant singer, conductor and actor of rare conviction.  While I haven’t heard her use the word “actor” to describe herself, how can I omit it, when I struggle to describe … Continue reading →

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Tafelmusik’s Beethoven: the romance continues

Posted on January 26, 2015 by barczablog

Let’s begin by saying I’m not your typical Tafelmusik fan.  Yes I love their work with Opera Atelier under David Fallis & at Messiah time with Ivars Taurins (aka Herr Handel), but I am often frustrated by them.  Tafelmusik could … Continue reading →

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Opera 5: Modern (Family) Opera

Posted on January 24, 2015 by barczablog

I was invited to think and feel at tonight’s first performance of the Opera 5 program “Modern (Family) Opera”. I laughed a lot, I felt a lot, and my mind’s awhirl. The family theme is approached from two very different … Continue reading →

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Songs of Love and War

Posted on January 22, 2015 by barczablog

The title of today’s noon-hour concert at the Richard Bradshaw Amphitheatre –“Songs  of Love and War”—is  a curious umbrella sheltering a diverse group of songs & composers.  I can only speculate on the rationale for the programme, created for members … Continue reading →

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10 Questions for Heidi Melton

Posted on January 17, 2015 by barczablog

If a list of engagements on a website is anything to go by, Heidi Melton is coming into her own. Toronto audiences are lucky to be able to see the young soprano at a time when she’s taking on all … Continue reading →

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Talisker Players: Puttin’ on the Ritz

Posted on January 12, 2015 by barczablog

Talisker Players, that inter-disciplinary nexus for music & text, have made another crossover adventure. “Puttin’ On the Ritz” takes us into the world of Irving Berlin, in a series of songs sung by Bud Roach and Whitney O’Hearn. I’d call … Continue reading →

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