Category Archives: Music and musicology

My eyes are bigger than my stomach

Posted on August 9, 2014 by barczablog

I have reading to do. Do you ever go to a bookstore and get carried away with what you see? Of course with a bookstore there’s no time-limit. You can buy books that you read this week, or this year, … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Music and musicology, Opera, Popular music & culture, Reviews | Tagged , , , , | 1 Comment

Ten Questions for Greg Finney

Posted on August 7, 2014 by barczablog

Who is Gregory Finney?  As he puts it in one of his biographies, he’s “a predominantly Comedic Baritone with Tenoristic leanings and background”.  This is an artist who is a bit of a chamelon, able to sing high or low, play … Continue reading →

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Russia After Revolution

Posted on August 2, 2014 by barczablog

When Douglas McNabney –artistic director of  Toronto Summer Music Festival–programmed tonight’s concert, an evening of music that explores at least two compositions of the Soviet Era framed quaintly in the context of the Modernist experiment of the mid-20th Century– it’s … Continue reading →

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Radvanovsky: Humble Servant

Posted on August 1, 2014 by barczablog

Tonight at Koerner Hall, Sondra Radvanovsky offered a self-portrait in her recital as part of Toronto Summer Music Festival. It’s not just a huge coup for TSM & Artistic Director Douglas McNabney, the highest profile artist to appear there this … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , | 4 Comments

Ten questions for Benjamin Bowman

Posted on July 30, 2014 by barczablog

American-Canadian violinist Benjamin Bowman performs to critical acclaim throughout North America, Europe and Asia. A very active and engaged chamber musician and soloist, he is a member or frequent guest artist for leading chamber music ensembles internationally, including the twice … Continue reading →

Posted in Interviews, Music and musicology | 1 Comment

Bicycle Opera: Program A

Posted on July 25, 2014 by barczablog

Sometimes the writer recognizes that words are limited, that in the end “you had to be there” especially for something that’s more of an event or happening, than merely a conventional performance. It was never truer than this morning as … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , | 5 Comments

Emerson String Quartet’s Modern Age

Posted on July 23, 2014 by barczablog

The Emerson String Quartet kicked off Toronto Summer Music with a concert tonight. I’m sure some people were there to hear Beethoven’s Op 95 quartet, many more to hear Schubert’s “Death & the Maiden” quartet, while comparatively few were there … Continue reading →

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Ten Questions for Jonathan Crow

Posted on July 22, 2014 by barczablog

Jonathan Crow is a young violinist making in impact on several fronts. This fall will be Crow’s fourth season as Concertmaster of the Toronto Symphony. He is also an avid chamber musician, including his role as a founding member of … Continue reading →

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Late night reading

Posted on July 15, 2014 by barczablog

Whether it was a virus, a cold or summertime allergies isn’t the point. I’ve been awake at night, coughing, sneezing, blowing my nose, and otherwise trying not to be a nuisance to anyone unlucky enough to be under the same … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , | 1 Comment

Ten Questions for Hugh Ritchie

Posted on July 10, 2014 by barczablog

I first met Hugh Ritchie at Ryerson this winter, where we worked together on an adaptation of Dickens’ Martin Chuzzlewit. At one point in the show he was all pastoral Americana, singing a down-home “Little Brown Jug”, even though he … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Politics, Popular music & culture | Tagged , , , | Leave a comment