Category Archives: Opera

TSO Stage Mozart Requiem

Posted on January 24, 2016 by barczablog

We were all invested with a sense of community. As I sat making notes afterwards, Joseph Johnson’s solo cello kept playing away, as though he didn’t want to go home. I think it’s fair to say that so far Jeff … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , | 1 Comment

The Harvester: an operatic workshop

Posted on January 23, 2016 by barczablog

The Harvester is a play by Paul van Dyck, identified as an intriguing story for adaptation into an opera by soprano Stacie Dunlop, who was looking for a new piece to share the bill with Erwartung (a work she was … Continue reading →

Posted in Music and musicology, Opera | 2 Comments

La bonne chanson @ RBA

Posted on January 21, 2016 by barczablog

Today’s noon-hour concert at the Richard Bradshaw Amphitheatre was the first collaboration between the Canadian Opera Company’s Ensemble Studio and the COC Orchestra Academy.  As I so often do I’ll begin with a preamble, one that corresponds to the gap … Continue reading →

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Questions for Johannes Debus: busy baton

Posted on January 21, 2016 by barczablog

The Canadian Opera Company’s winter season begins soon, featuring two long operas led by the same maestro, namely Johannes Debus. Siegfried, the penultimate of the Wagner operas in the Ring Cycle premieres January 23rd, while Mozart’s Marriage of Figaro follows … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , | 2 Comments

At last: #COC1617 is the most Canadian season yet 

Posted on January 14, 2016 by barczablog

Tonight’s Canadian Opera Company announcement of the coming season’s operas gave us reason to be proud, a genuine celebration of the sesquicentennial of Canada’s confederation. We checked in with the key components of the COC: Alexander Neef & Johannes Debus … Continue reading →

Posted in Opera, Press Releases and Announcements | 4 Comments

TSO Announcement: good days for Canadian composers

Posted on January 12, 2016 by barczablog

The official announcements are still to come.  It’s a great year, or will be a great year to be Canadian, as we celebrate 150 years of Confederation in 2017. Anticipation is a big part of the fun. On Wednesday the … Continue reading →

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Questions for Brahm Goldhamer: playing Schubert

Posted on January 2, 2016 by barczablog

I know Brahm Goldhamer as a collaborative pianist of exceptional sensitivity. Of all the Toronto pianists I’ve heard in the concert-opera mode—where piano must stand in for all the instruments of the orchestra—his performance in Debussy’s Pelléas et Mélisande in … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , | 4 Comments

Pollyanna looks back at 2015

Posted on December 28, 2015 by barczablog

The year isn’t quite over yet, but already we’re looking back at 2015 as 2016 draws closer.   When we remember Pollyanna’s credo –“if you can’t say anything nice, don’t say anything at all”—no wonder we look back.  As the dollar … Continue reading →

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Donald Trump: crossover artist

Posted on December 22, 2015 by barczablog

What is the rationale behind crossover and why is it attractive? Sometimes it’s an escape, no longer being required to follow the rules of your old realm, as you visit a new one. Sometimes it’s the insight, the expertise in … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays, Politics | Tagged , , | 1 Comment

Andrew Davis’ big beautiful Messiah

Posted on December 21, 2015 by barczablog

Today I was fortunate to attend the last of the Toronto Symphony’s annual performances of the Messiah with the Mendelssohn Choir, employing Andrew Davis’ new (2010) orchestration. I missed it when they offered it last time but hope that Jeff … Continue reading →

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