Category Archives: Opera

Emerson String Quartet’s Modern Age

Posted on July 23, 2014 by barczablog

The Emerson String Quartet kicked off Toronto Summer Music with a concert tonight. I’m sure some people were there to hear Beethoven’s Op 95 quartet, many more to hear Schubert’s “Death & the Maiden” quartet, while comparatively few were there … Continue reading →

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Late night reading

Posted on July 15, 2014 by barczablog

Whether it was a virus, a cold or summertime allergies isn’t the point. I’ve been awake at night, coughing, sneezing, blowing my nose, and otherwise trying not to be a nuisance to anyone unlucky enough to be under the same … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , | 1 Comment

Confessions of an Operatic Mute

Posted on July 10, 2014 by barczablog

Briane Nasimok and I go way back. He rode with me in the ambulance that took me to hospital (can’t recall which one) when I fell and split my head open. By then I was of legal drinking age (which … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | Tagged , , , | 1 Comment

Ten Questions for Adam Scime

Posted on July 9, 2014 by barczablog

Adam Scime is a young composer and performer living in Toronto, whose work has received many awards including The SOCAN Young Composer’s Competition, and The Karen Keiser Prize in Canadian Music, The Esprit Young Composer Competition, and the Electro-Acoustic Composer’s … Continue reading →

Posted in Interviews, Opera | Tagged , , , | 2 Comments

When The Sun Comes Out

Posted on June 27, 2014 by barczablog

On the occasion of World Pride in Toronto, Queer Innovative Theatre has brought Leslie Uyeda’s recent opera When The Sun Comes Out to Toronto for two performances at the intimate Ernest Balmer Studio. If you’ve read about it you’ve probably … Continue reading →

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AtG Pelléas et Mélisande

Posted on June 22, 2014 by barczablog

Against the Grain have done it again. Their outdoor production of Debussy’s Pelléas et Mélisande is highly original, illuminating the opera is several unforgettable ways.  Joel Ivany’s director’s note in the program says “Upon getting to know this opera, it … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , | 4 Comments

Ideal Pelléas

Posted on June 15, 2014 by barczablog

It may be redundant to speak of an ideal Pelléas et Mélisande. The work is symbolist, which means it’s by definition a kind of ideal work. And notice I did not say “An” or “The” ideal Pelléas. It was “Ideal … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Opera, Personal ruminations & essays | Tagged , , | 4 Comments

Pilgrimage to Jussi Björling Museet

Posted on June 14, 2014 by barczablog

One of the first things I ask students in my opera course is whether they think more in terms of a favourite opera, or a favourite singer, as it’s a medium that can be understood in at least these two … Continue reading →

Posted in Opera | 6 Comments

Richard Wagner: A Life in Music

Posted on June 14, 2014 by barczablog

I just finished Martin Geck’s Richard Wagner: A Life in Music in Stewart Spencer’s 2013 translation. Published only in 2012 as Richard Wagner: Biografie you can judge for yourself how good this book must be, that its translation was pushed … Continue reading →

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Dueling ear-worms: surrender and adventure

Posted on June 6, 2014 by barczablog

It ís Friday, a national holiday I am told. Does it matter why? People need to celebrate, and yes, people sometimes need to rest. I didn’t realize how tired I was. I boarded the plane Wednesday night in Toronto. When … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Personal ruminations & essays, Spirituality & Religion | 1 Comment