Tag Archives: Schumann

James Rhodes & the Beethoven Revolution

Posted on March 6, 2020 by barczablog

Koerner Hall was jammed full tonight. Apparently everyone wants to hear James Rhodes play Beethoven. I’m late to the party, having no idea who this guy is, just intrigued by the interest I sense all around me, an electricity.  The … Continue reading →

Posted in Music and musicology, Personal ruminations & essays, Popular music & culture, Reviews | Tagged , , , , , | 2 Comments

Toronto Symphony and the music of change

Posted on February 28, 2016 by barczablog

I will eventually talk about the music performed at tonight’s Toronto Symphony Concert at Roy Thomson Hall but I must first observe a few things that were different. At intermission I met two guys from Richmond Hill named Michael. Yes, … Continue reading →

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Late night reading

Posted on July 15, 2014 by barczablog

Whether it was a virus, a cold or summertime allergies isn’t the point. I’ve been awake at night, coughing, sneezing, blowing my nose, and otherwise trying not to be a nuisance to anyone unlucky enough to be under the same … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , | 1 Comment

Perpetual motion and minimalism

Posted on August 1, 2013 by barczablog

It’s time. Recently I wrote about minimalist music in anticipation of Katia et Marielle Labèque playing Toronto Summer Music’s August 1st concert: The Minimalist Dream House project.  While I titled that piece The Geneology (sic) of Minimalism I was not … Continue reading →

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Radical Cycle

Posted on September 30, 2012 by barczablog

When you think about it, the notion of a “radical cycle” is a bit of an oxymoron.  Cycles are usually understood to be stable and repeating, which is hard to imagine if something is radical. Radical Cycle is also the … Continue reading →

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Enigmatic Liszt

Posted on February 18, 2012 by barczablog

There’s more to Franz Liszt than most people realize.  If you ask a musicologist they’ll usually rattle off a series of truisms: one of the first great virtuosi for the piano, possibly the greatest pianist in history Wagner’s father-in-law Long-lived … Continue reading →

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Genoveva November 17th

Posted on November 22, 2010 by barczablog

How good is Robert Schumann’s Genoveva?  It depends who you ask.  Conventional musicological wisdom from a generation ago consigns Schumann to the same kind of niche as other virtuosi such as Chopin and Liszt.  Their solo piano works are brilliant … Continue reading →

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