Category Archives: Reviews

Carmen Encore

Posted on April 29, 2016 by barczablog

The second cast in the Canadian Opera Company’s Carmen production directed by Joel Ivany brought us into a more realistic world than what we’d seen in the opening night’s cast. This is a cast that’s physically beautiful, from the heroic … Continue reading →

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Isis and Osiris, Gods of Egypt

Posted on April 3, 2016 by barczablog

I saw the second of two performances in the world premiere run of Isis and Osiris, Gods of Egypt, a new opera composed by Peter Togni from a libretto by Sharon Singer, presented by Opera in Concert – Voicebox. There … Continue reading →

Posted in Music and musicology, Opera, Reviews | 4 Comments

Knocking at the Hellgate

Posted on March 13, 2016 by barczablog

While the Toronto Symphony has been doing New Creations Festival for a dozen years or so, things seem substantially different in 2016.  One of the comments I sometimes hear from my colleagues is a concern that when so many of … Continue reading →

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TSO’s happy midweek memorials

Posted on March 11, 2016 by barczablog

The second of the New Creations concerts by the Toronto Symphony Wednesday at Roy Thomson Hall was a wildly diversified program as Festival curator Brett Dean put a collaborative work by two Canadians between works by two Australian composers. Each … Continue reading →

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TSO – Fragile Absolute

Posted on March 6, 2016 by barczablog

The Toronto Symphony’s three-concert New Creations Festival launched in impressive fashion tonight, a spectacular variety of styles on display in a programme with the title “Fragile Absolute”. Before the interval felt like personal testimony from the festival’s curator Brett Dean. … Continue reading →

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Last tango in Siviglia

Posted on February 24, 2016 by barczablog

There’s a curious mix of adventure and nostalgia that goes with the annual Canadian Opera Company’s Ensemble Studio performance of one of the season’s operas. After having seen a production with a cast of seasoned professionals, each year we get … Continue reading →

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Betroffenheit’s ambitions

Posted on February 21, 2016 by barczablog

I am riding the emotional high of Betroffenheit, a co-creation & co-production of Crystal Pite’s Kidd Pivot and Jonathon Young’s Electric Company Theatre, presented tonight at the Bluma Appel Theatre as part of Canadian Stage’s current season, in a run … Continue reading →

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CASP – The Pilgrim Soul

Posted on February 20, 2016 by barczablog

“The Pilgrim Soul” was the name given to tonight’s collaboration between pianist Emily Hamper and baritone Phillip Addis for Canadian Art Song Project (aka “CASP”). I had assumed that tonight’s program would be more conventional, less experimental than CASP’s last … Continue reading →

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Salieri’s Falstaff: first time in Canada

Posted on February 8, 2016 by barczablog

To most people Antonio Salieri is unknown except as the older composer associated with Mozart in Amadeus, perhaps best captured in this little clip from Milos Forman’s 1983 film. Of course the way that story is told is a cruel … Continue reading →

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Tafelmusik record Beethoven’s Ninth

Posted on February 7, 2016 by barczablog

Tonight’s Koerner Hall concert was recorded, one of a series. But it seemed like a pair of concerts. Before intermission we watched the Tafelmusik Chamber Choir, led by their founding director Ivars Taurins. This is a choir he built, piece by … Continue reading →

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