Category Archives: Reviews

Placido and Sondra

Posted on June 5, 2011 by barczablog

Tonight’s Toronto concert by Placido Domingo with Sondra Radvanosvky was the proverbial “happening”. Held in a converted tennis stadium enjoying its christening as a musical venue, we were watching their faces on a jumbotron, hearing a wall of amplified sound, … Continue reading →

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Bohème against the grain

Posted on June 3, 2011 by barczablog

It’s been attempted before: taking that well-known and perhaps overly-familiar opera, Puccini’s La bohème, and reinventing it. Baz Luhrmann tried it with some success. So did Jonathan Larson, with Rent (another success). You can’t blame people for wanting to attempt … Continue reading →

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Che faro senza COC?

Posted on May 27, 2011 by barczablog

Tonight, my last opera of the Canadian Opera Company 2010-2011 season, was my second trip into the special world of Robert Carsen’s Orfeo ed Euridice. I didn’t talk about the visuals in my review (awhile ago) because I strive to … Continue reading →

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Always the Bridesmaid

Posted on May 23, 2011 by barczablog

I saw Bridesmaids tonight. If you watch Saturday Night Live you know Kristen Wiig. In passing, I’ll acknowledge that you might be one of those people who used to watch SNL.   Fine, you don’t want to admit that you watch … Continue reading →

Posted in Cinema, video & DVDs, Popular music & culture, Reviews | 1 Comment

Lepage’s Walküre, or “Welcome to The Machine, part two”

Posted on May 15, 2011 by barczablog

It doesn’t matter how big they are.  Whether we’re speaking of fame or stature, every singer in the current Metropolitan Opera productions (both Das Rheingold and Die Walküre) directed by Robert Lepage & his Ex Machina group shares the stage … Continue reading →

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Rheingold by Request

Posted on May 14, 2011 by barczablog

A concert performance of Wagner’s Das Rheingold can be many things, but above all, it’s a colossal job.  For almost three hours, a group of singers breathes life into Gods, giants, dwarves, and Rhine-maidens, while a pianist impersonates a huge … Continue reading →

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Adrianne’s Ariadne

Posted on May 13, 2011 by barczablog

You know you’re an opera fan when___ .  There are lots of ways to complete the sentence, but how about this one(….?): you know you’re an opera fan when you come out of the Lion King, humming Ariadne auf Naxos.  … Continue reading →

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COC Orfeo ed Euridice

Posted on May 9, 2011 by barczablog

Some subjects are so immense that the only way to put them onstage is by making them into opera.  Gluck‘s Orfeo ed Euridice takes on all the major topics—love, death and art –in a concise 90 minute plot.  They don’t … Continue reading →

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Two tunes

Posted on May 8, 2011 by barczablog

William Shookoff’s Opera By Request presented two short operas last night, I Pagliacci paired with Gianni Schicchi.   It’s an interesting pairing.  Once upon a time you’d encounter two verismo shockers (Cavalleria Rusticana and Pagliacci), each ending with death and a … Continue reading →

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Orange signage

Posted on May 2, 2011 by barczablog

When the opera’s on at 4:30, it makes for some intriguing possibilities, such as dinner after the show. When the dinner is chez Edward Levesque’s Kitchen the meal may be as operatic as what came before.  While the food may … Continue reading →

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