Tag Archives: Canadian Opera Company

Superb Orfeo revival

Posted on October 13, 2025 by barczablog

I was delighted by the Canadian Opera Company revival of Gluck’s Orfeo ed Euridice Saturday at the Four Seasons Centre. Although I thought I liked it well enough when I saw it in 2011 I never expected the gushing tears … Continue reading →

Posted in Opera, Reviews | Tagged Anna-Sophie Neher, Bernard Labadie, Canadian Opera Company, Catherine St-Arnaud, Christoph Willibald Gluck, Christophe Gayra, classical-music, Four Seasons Centre, Iestyn Davies, music, opera, Orfeo ed Euridice, Ranieri de' Calzabigi, reform opera, review, Robert Carsen, Sandra Horst | Leave a comment

COC’s highly original Roméo et Juliette

Posted on October 6, 2025 by barczablog

It might be the best-known of all Shakespeare stories, the star-crossed lovers, dying young for love. Romeo and Juliet becomes Roméo et Juliette when a French composer such as Charles Gounod (1867) is telling the story in music. The rental … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Gordon Bintner, Jules Barbier, Kseniia Proshina, Megan Latham, Michel Carré, music, opera, Owen McCausland, Robert Lepage, Robert Pomakov, Roméo et Juliette, Romeo and Juliet, Sandra Horst, Stephen Costello, surtitles, theatre, Yves Abel | 2 Comments

Holly Chaplin and Ryan Hofman talk about their upcoming La Boheme On Tap

Posted on September 12, 2025 by barczablog

La Boheme is being presented at the Redwood Theatre on Friday September19th 8:00 p.m., a co-production with The Redwood Theatre including a silent auction in support of Daily Bread Food Bank. I talked to Holly Chaplin who sings the starring … Continue reading →

Posted in Interviews, Opera | Tagged Canadian Opera Company, classical-music, Elmwood Spa, genre, Giacomo Puccini, Holly Chaplin, La boheme, La Boheme On Tap, Massey Hall, Moonstruck, music, National Ballet of Canada, opera, Opera Revue, Puccini, Redwood Theatre, Ryan Hofman, SOLO, Southern Ontario Lyric Opera, theatre, Toronto Symphony Orchestra | Leave a comment

Robert Lepage’s Macbeth at Stratford

Posted on September 6, 2025 by barczablog

Bruce asked me whether the Scottish play is worth seeing. I had seen it from the front row, able to see every detail of the complex presentation in the Avon Theatre, less Shakespeare’s immortal play than Robert Lepage’s Macbeth. YMMV … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Opera, Reviews | Tagged 887, Avon Theatre, Bertold Brecht, Bluebeard's Castle, Canadian Opera Company, Eonnagata, erwartung, Ex Machina, Gesamtkunstwerk, John Gzowski, Lucy Peacock, Macbeth, Needles and Opium, Richard Wagner, Robert Lepage, Stratford Festival, The Tempest, Tom McCamus, Verfremdungseffekt, William Shakespeare, YMMV | 2 Comments

Reflections from Stephen Bell, former COC chorister, Founder of Coffeeshop Film & Creative

Posted on June 16, 2025 by barczablog

Stephen Bell is an award winning filmmaker and visual designer based in Toronto. Videographer by day and opera singer by night, Stephen is the Founder of Coffeeshop Film & Creative. And on May 25th Stephen posted on Facebook that after … Continue reading →

Posted in Cinema, video & DVDs, Interviews, Opera | Tagged Angela Bell, Bardia Doust, Brahm Goldhamer, Canadian Opera Company, COC Chorus, Coffeeshop Film & Creative, digital content, Eric Moniz, Four Seasons Centre, La Maupin, Messiah/Complex, music, opera, OperaQ, passagio, Sandra Horst, Stephen Bell, Tenor, videographer, videography | Leave a comment

COC gets Eugene Onegin

Posted on May 5, 2025 by barczablog

It seems like Tchaikovsky season in Toronto. Yuja Wang played his 1st piano concerto with the Toronto Symphony a couple of weeks ago, and the TSO play his 6th Symphony later this week. This weekend the Canadian Opera Company have … Continue reading →

Posted in Opera, Reviews | Tagged Andrii Kymach, Canadian Opera Company, COC Chorus, COC Orchestra, Dimitry Ivashchenko, Emily Treigle, Eugene Onegin, Evan LeRoy Johnson, Krisztina Szabó, Lauren Fagan, Literaturoper, Lord Byron, Michael Levine, Pyotr Ilyich Tchaikovky, Robert Carsen, Speranza Scappucci, Toronto Symphony | 2 Comments

COC’s Wozzeck, a relatable opera

Posted on April 28, 2025 by barczablog

This spring season of the Canadian Opera Company feels a bit like the second coming of Alexander Neef, their former General Director. Next week we’ll be seeing the revival of Robert Carsen’s Eugene Onegin, a production that Neef brought to … Continue reading →

Posted in Personal ruminations & essays | Tagged Alban Berg, Alexander Cappellazzo, Alexander Neef, Alexander Pushkin, Ambur Braid, Canadian Opera Company, Catherine Meyburgh, Eugene Onegin, Greta Goiris, Johannes Debus, Karl Emil Franzos, Kim Gunning, Literaturoper, Luc De Wit, Michael Kupfer-Radecky, Michael Schade, Mikael Kangas, modernist, music, opera, review, Sabine Theunissen, theatre, Urs Schönebaum, William Kentridge, Wozzeck | 13 Comments

A first look at La Reine-Garçon

Posted on February 3, 2025 by barczablog

I attended the Canadian Opera Company’s presentation of La Reine-Garçon, their co-production of a new opera with a libretto by Michel Marc Bouchard and music composed by Julien Bilodeau. Today, February 2nd, is Bouchard’s birthday. In addition to this libretto … Continue reading →

Posted in Opera, Reviews | Tagged Aline Kutan, Anne-Marie Beaudette, Canadian Opera Company, Johannes Debus, Julien Bilodeau, Kirsten MacKinnon, kulning, La Reine-Garçon, Michel Marc Bouchard, Opéra de Montréal, Owen McCausland, Philippe Sly, Queen Hezumuryango, The Girl King, Wesley Harrison | 2 Comments

Varieties of virtuosity: an interview with Piano Lunaire founder Adam Sherkin

Posted on February 2, 2025 by barczablog

Last month I was delighted to discover Adam Sherkin at a free noon-hour concert in the Richard Bradshaw Amphitheatre, a brilliant pianist & composer I probably should have heard sooner and founder of Piano Lunaire. I jumped at the chance … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged Adam Sherkin, Barbara Hannigan, Boris Lysenko, Brian Current, Canadian Opera Company, Franz Josef Haydn, Franz Liszt, Julien Bilodeau, La Reine-Garçon, Leon Fleisher, opera, paraphrase, piano, Piano Lunaire, Sergei Rachmaninoff, Stewart Goodyear, Thomas Adès, Udo Steingraeber, virtuosity, virtuoso | Leave a comment

Paraphrases on La Reine-garçon from Sherkin & Bilodeau

Posted on January 24, 2025 by barczablog

Today was my first time attending a noon-hour Canadian Opera Company concert in a long time, tempted by a few magic words: a world premiere performance of excerpts from a suite of paraphrases composed by Julien Bilodeau, whose opera La … Continue reading →

Posted in Music and musicology, Opera | Tagged Adam Sherkin, Canadian Opera Company, Gyorgy Ligeti, Julien Bilodeau, La Reine-Garçon, paraphrase, piano, Piano Lunaire | 1 Comment