Tag Archives: Canadian Opera Company

A last Rigoletto on the cusp of a regime change

Posted on February 15, 2026 by barczablog

For Valentine’s Day 2026 this subscriber attended the Canadian Opera Company’s last performance of Rigoletto in their winter season at the Four Seasons Centre, in Christopher Alden’s rather un-romantic production. The rose petals fall from above as the young girl … Continue reading →

Posted in Opera, Reviews | Tagged Andriana Chuchman, Ben Bliss, Canadian Opera Company, Christopher Alden, David Ferguson, Family Day, Four Seasons Centre, Ian Derrer, Johannes Debus, Lunar New Year, Peixin Chen, Quinn Kelsey, Rigoletto, Sarah Dufresne, Simona Genga, Valentine's Day, Verdi | Leave a comment

COC Barber in 2026

Posted on February 7, 2026 by barczablog

At first glance the two operas being presented by the Canadian Opera Company represent a contrasting pair. Last week I reviewed the dark Christopher Alden Rigoletto, being offered in a revival with a strong cast. Tonight I saw the COC’s … Continue reading →

Posted in Opera, Reviews | Tagged Canadian Opera Company, Daniela Candillari, Dave Monaco, Els Comediants, Gioachino Rossini, Giuseppe Verdi, Joan Font, Joan Guillén, Luke Sutliff, Renato Girolami | Leave a comment

A Rigoletto for our time

Posted on January 29, 2026 by barczablog

The Canadian Opera Company are reviving the Christopher Alden Rigoletto, last seen in 2018 and first seen here in 2011. I have always been conflicted about it, a production that in some ways shows the real story that composer Giuseppe … Continue reading →

Posted in Opera, Reviews | Tagged Ben Bliss, Canadian Opera Company, Christopher Alden, Four Seasons Centre, Franceso Maria Piave, Giuseppe Verdi, Johannes Debus, Quinn Kelsey, Rigoletto, Sarah Dufresne, Simone Genga, Zoie Reams | Leave a comment

Superb Orfeo revival

Posted on October 13, 2025 by barczablog

I was delighted by the Canadian Opera Company revival of Gluck’s Orfeo ed Euridice Saturday at the Four Seasons Centre. Although I thought I liked it well enough when I saw it in 2011 I never expected the gushing tears … Continue reading →

Posted in Opera, Reviews | Tagged Anna-Sophie Neher, Bernard Labadie, Canadian Opera Company, Catherine St-Arnaud, Christoph Willibald Gluck, Christophe Gayra, classical-music, Four Seasons Centre, Iestyn Davies, music, opera, Orfeo ed Euridice, Ranieri de' Calzabigi, reform opera, review, Robert Carsen, Sandra Horst | Leave a comment

COC’s highly original Roméo et Juliette

Posted on October 6, 2025 by barczablog

It might be the best-known of all Shakespeare stories, the star-crossed lovers, dying young for love. Romeo and Juliet becomes Roméo et Juliette when a French composer such as Charles Gounod (1867) is telling the story in music. The rental … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Gordon Bintner, Jules Barbier, Kseniia Proshina, Megan Latham, Michel Carré, music, opera, Owen McCausland, Robert Lepage, Robert Pomakov, Roméo et Juliette, Romeo and Juliet, Sandra Horst, Stephen Costello, surtitles, theatre, Yves Abel | 2 Comments

Holly Chaplin and Ryan Hofman talk about their upcoming La Boheme On Tap

Posted on September 12, 2025 by barczablog

La Boheme is being presented at the Redwood Theatre on Friday September19th 8:00 p.m., a co-production with The Redwood Theatre including a silent auction in support of Daily Bread Food Bank. I talked to Holly Chaplin who sings the starring … Continue reading →

Posted in Interviews, Opera | Tagged Canadian Opera Company, classical-music, Elmwood Spa, genre, Giacomo Puccini, Holly Chaplin, La boheme, La Boheme On Tap, Massey Hall, Moonstruck, music, National Ballet of Canada, opera, Opera Revue, Puccini, Redwood Theatre, Ryan Hofman, SOLO, Southern Ontario Lyric Opera, theatre, Toronto Symphony Orchestra | Leave a comment

Robert Lepage’s Macbeth at Stratford

Posted on September 6, 2025 by barczablog

Bruce asked me whether the Scottish play is worth seeing. I had seen it from the front row, able to see every detail of the complex presentation in the Avon Theatre, less Shakespeare’s immortal play than Robert Lepage’s Macbeth. YMMV … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Opera, Reviews | Tagged 887, Avon Theatre, Bertold Brecht, Bluebeard's Castle, Canadian Opera Company, Eonnagata, erwartung, Ex Machina, Gesamtkunstwerk, John Gzowski, Lucy Peacock, Macbeth, Needles and Opium, Richard Wagner, Robert Lepage, Stratford Festival, The Tempest, Tom McCamus, Verfremdungseffekt, William Shakespeare, YMMV | 2 Comments

Reflections from Stephen Bell, former COC chorister, Founder of Coffeeshop Film & Creative

Posted on June 16, 2025 by barczablog

Stephen Bell is an award winning filmmaker and visual designer based in Toronto. Videographer by day and opera singer by night, Stephen is the Founder of Coffeeshop Film & Creative. And on May 25th Stephen posted on Facebook that after … Continue reading →

Posted in Cinema, video & DVDs, Interviews, Opera | Tagged Angela Bell, Bardia Doust, Brahm Goldhamer, Canadian Opera Company, COC Chorus, Coffeeshop Film & Creative, digital content, Eric Moniz, Four Seasons Centre, La Maupin, Messiah/Complex, music, opera, OperaQ, passagio, Sandra Horst, Stephen Bell, Tenor, videographer, videography | Leave a comment

COC gets Eugene Onegin

Posted on May 5, 2025 by barczablog

It seems like Tchaikovsky season in Toronto. Yuja Wang played his 1st piano concerto with the Toronto Symphony a couple of weeks ago, and the TSO play his 6th Symphony later this week. This weekend the Canadian Opera Company have … Continue reading →

Posted in Opera, Reviews | Tagged Andrii Kymach, Canadian Opera Company, COC Chorus, COC Orchestra, Dimitry Ivashchenko, Emily Treigle, Eugene Onegin, Evan LeRoy Johnson, Krisztina Szabó, Lauren Fagan, Literaturoper, Lord Byron, Michael Levine, Pyotr Ilyich Tchaikovky, Robert Carsen, Speranza Scappucci, Toronto Symphony | 2 Comments

COC’s Wozzeck, a relatable opera

Posted on April 28, 2025 by barczablog

This spring season of the Canadian Opera Company feels a bit like the second coming of Alexander Neef, their former General Director. Next week we’ll be seeing the revival of Robert Carsen’s Eugene Onegin, a production that Neef brought to … Continue reading →

Posted in Personal ruminations & essays | Tagged Alban Berg, Alexander Cappellazzo, Alexander Neef, Alexander Pushkin, Ambur Braid, Canadian Opera Company, Catherine Meyburgh, Eugene Onegin, Greta Goiris, Johannes Debus, Karl Emil Franzos, Kim Gunning, Literaturoper, Luc De Wit, Michael Kupfer-Radecky, Michael Schade, Mikael Kangas, modernist, music, opera, review, Sabine Theunissen, theatre, Urs Schönebaum, William Kentridge, Wozzeck | 13 Comments