Tag Archives: Cecilia Livingston

Garden of Vanished Pleasures aka the poetry of Derek Jarman

I wondered whether one needs to know Derek Jarman, as I watched Garden of Vanished Pleasures for the first time. It’s the new Soundtreams Online Broadcast through Crow’s Theatre that is available from now until October 10th. I wondered whether … Continue reading

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The Next Wave @ RBA

A concert is not a litmus test but even so today’s free noon-hour concert at the Richard Bradshaw Amphitheatre is an unmistakable sign of health in the community of women creating opera in this country, and apt in the home … Continue reading

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Questions for Cecilia Livingston: Balancing the Score

A little over five years ago, I interviewed composer Cecilia Livingston in anticipation of her new opera commission The Masque of the Red Death, an occasion for some marvelous comments about composing & opera (see what I mean? ). I’m not … Continue reading

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R.I.P.

“Requiescat in Pace” is the last line in the third of three operas presented by Opera 5, namely Cecilia Livingston’s The Masque of the Red Death, whereby we had the name for the evening’s program. I wonder if Poe’s story … Continue reading

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10 Questions for Cecilia Livingston

Known across Canada and the US for her vocal music, Cecilia Livingston is deeply involved in Toronto’s choral and opera communities, with a special focus on writing music for women’s voices. She looks forward to projects in 2014-2015 in collaboration … Continue reading

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Symbolist horror

What’s in a name? Sometimes we grab onto something in a name, think we know what we have, and miss something else through our assumptions.  We’re so enamoured for instance with the mystique of the rose, but we don’t usually … Continue reading

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Tapestry Briefs

Back i go to the laboratory. A couple of nights ago I wrote about YouTopia and spoke of the virtues of experimentation. The Tapestry Briefs are a dozen short works from a handful of collaborators who were paired off for … Continue reading

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