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Tag Archives: Dean Burry
Shanawdithit in Toronto
Who would expect a new opera to affirm the value of the artform? Shanawdithit is a new opera co-produced by Newfoundland’s Opera on the Avalon and Toronto’s Tapestry Opera. There was a workshop a few months ago, a tantalizing glimpse not … Continue reading
Questions for Dean Burry: Shanawdithit
I hope you’ll forgive me if I pause to take a breath before I attempt to tell you who Dean Burry is, a man who wears so many hats one doesn’t always know how to address him. Professor? Composer? Librettist? … Continue reading
Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera, Personal ruminations & essays, University life
Tagged Aria Evans, Beothuk, Dean Burry, Marion Newman, Michelle Olson, musical theatre, Newfoundland, opera, Opera on the Avalon, reconciliation, Shanawdithit, Tapestry Opera, Yvette Nolan
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Workshop Ecology
I’ve been tossing and turning, struggling with several questions in my head. I regularly wake up in the night to fine-tune something that I’ve blogged, fixing a wrong spelling, adding wrinkles & nuances. It’s been a turbulent two weeks, as … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays
Tagged Beothuk, Daniel MacIvor, Danny Elfman, Dean Burry, Hadrian, Jack Skellington, Marion Newman, Michael Hidetoshi Mori, Nightmare before Christmas, Opera Atelier, Opera on the Avalon, Peter Hinton, Rufus Wainwright, Shanawdithit, Tapestry Opera, Tim Burton, William Cormack, Yvette Nolan
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Baby Kintyre and some thoughts on popular operas
A few weeks ago, John Gilks shared some thoughts about “that elusive new audience”, in response to assertions by some that the “ small innovative companies create a significant audience for the larger companies”. It may be so, although John’s essay looked … Continue reading
Posted in Opera, Reviews
Tagged Canadian Music Centre, Dean Burry, Gian Carlo Menotti, Lee Hoiby
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Bicycle Opera: Program A
Sometimes the writer recognizes that words are limited, that in the end “you had to be there” especially for something that’s more of an event or happening, than merely a conventional performance. It was never truer than this morning as … Continue reading