Tag Archives: Diane Paulus

Magic Flute revival

Posted on May 12, 2022 by barczablog

This is the third time in roughly a decade for the Canadian Opera Company to offer the Diane Paulus Magic Flute, with its meta-theatrical approach employing flamboyant visuals, from set and costume designer Myung Hee Cho. I hope I can … Continue reading →

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Late Mozart 2: caveats

Posted on April 4, 2013 by barczablog

Mozart censored? Operas did sometimes have to clear hurdles in the century of their creation, but actually I was thinking about the censure of a modern audience. And so I continue to ramble about late Mozart, inspired by a happy … Continue reading →

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