Tag Archives: The Fairy’s Kiss

Toronto Symphony play Béla Bartók’s Miraculous Mandarin

Posted on April 12, 2026 by barczablog

Toronto Symphony recently released their third Harmonia Mundi live recording, captured from performances 21-23 November 2024 at Roy Thomson Hall, featuring two works by Béla Bartók (1881-1945) plus a piece by Canadian Emilie Cecilia LeBel. Roy Thomson Hall’s acoustics seem … Continue reading →

Posted in Music and musicology, Reviews | Tagged Bela Bartok, Emilie LeBel, expressionist, Gustav Mahler, Gustavo Gimeno, Igor Stravinsky, Menyhért Lengyel, modernist, Olivier Messiaen, Pulcinella, sediments, Symbolist, The Fairy's Kiss, The Miraculous Mandarin, Toronto Symphony, TSO | 2 Comments

Toronto Symphony explores nuances of newness in Stravinsky’s Pulcinella

Posted on February 24, 2024 by barczablog

Tonight Gustavo Gimeno and his Toronto Symphony presented their latest TSO live concert at Roy Thomson Hall, recorded for future release by Harmonia Mundi recording label. We were a well-behaved audience, not making any disruptive noises, like polite voyeurs watching … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Reviews | Tagged Ballets Russes, commedia dell'arte, Glenn Gould, Gustavo Gimeno, Harmonia Mundi, Igor Stravinsky, Isabel Leonard, Kelly-Marie Murphy, Le Baiser de le fée, Linda Hutcheon, palimpsest, Petula Clark, Pulcinella, Sergei Diaghilev, Tchaikovsky, The Fairy's Kiss, Toronto Symphony Orchestra | 2 Comments

Tag Archives: The Fairy’s Kiss

Toronto Symphony play Béla Bartók’s Miraculous Mandarin

Toronto Symphony explores nuances of newness in Stravinsky’s Pulcinella

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