Tag Archives: Keiran Campbell

Tafelmusik present Influencers without shoehorns or pigeonholes

Posted on April 11, 2026 by barczablog

Influencers is the anachronistic title for Tafelmusik’s concert program this week at Jeanne Lamon Hall. I’m reminded of the way Richard Strauss put Viennese waltzes into Der Rosenkavalier, a modern dance-form that didn’t really fit the time of the story, … Continue reading →

Posted in Music and musicology, Reviews | Tagged Baz Luhrmann, Buxtehude, Carl Philipp Emmanuel Bach, CPE Bach, Der Rosenkavalier, Eroica, Esterhaza, Esterhazy, JC Bach, Jeanne Lamon Hall, Johann Christian Bach, Joseph Bologne, Joseph Haydn, Keiran Campbell, Moulin Rouge, Patrick Jordan, Rachel Podger, Richard Strauss, Shunske Sato, Tafelmusik, Wolfgang Amadeus Mozart | 1 Comment

Tafelmusik Brandenburgs

Posted on January 30, 2026 by barczablog

I saw & heard an astonishing concert last night at Jeanne Lamon Hall from Tafelmusik playing a program of well-known music by Johann Sebastian Bach. I heard four of the six Brandenburg concertos and a version of his majestic E-flat … Continue reading →

Posted in Music and musicology, Reviews | Tagged Arnold Schoenberg, Brandenburg Concertos, Carl Morey, Dominic Teresi, Ferruccio Busoni, Genevieve Gilardeau, Helmut Walcha, Jeanne Lamon Hall, Johann Sebastian Bach, Johanna Novom, JS Bach, Kathryn Montoya, Keiran Campbell, Margaret Day, Micajah Sturgess, Michael Unterman, piccolo violin, Rachel Podger, Tafelmusik Baroque Orchestra, Todd Williams, transcription, Voyager | Leave a comment

Tag Archives: Keiran Campbell

Tafelmusik present Influencers without shoehorns or pigeonholes

Tafelmusik Brandenburgs

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