Tag Archives: Revisor

AF and why

Posted on February 21, 2020 by barczablog

Huge preamble coming. If you want to skip to the review itself, look under the photo.I went to see AF and am daring to review it. I feel I need to say this after having read Yvette Nolan’s piece, responding … Continue reading →

Posted in Dance, theatre & musicals, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Framing the Pollyanna proposition

Posted on January 9, 2020 by barczablog

January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Revisor

Posted on March 8, 2019 by barczablog

The hybrid creation Revisor from Jonathon Young and Crystal Pite is so much more than I can put into words, a piece of theatre that explores the process of signification while showing us the ways that it breaks down. It’s … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , , , , | 3 Comments