Tag Archives: Mireille Asselin

Soundstreams’ Garden of Vanished Pleasures on a dark Toronto weekend

Posted on April 27, 2025 by barczablog

In 2021 the COVID pandemic disrupted the plans by Soundstreams to present their original production Garden of Vanished Pleasures, a music-theatre work about Derek Jarman, the gay activist, film-maker & poet who died of AIDS related complications in 1994, devised … Continue reading →

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Opera Atelier bring David and Jonathan to Toronto

Posted on April 10, 2025 by barczablog

Opera Atelier brought their opulent 2022 Versailles production of Marc Antoine Charpentier’s 1688 opera/ballet David and Jonathan to Koerner Hall in Toronto. Artistic Director Marshall Pynkoski reminded us last night in his pre-show speech that the company began forty years … Continue reading →

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Guth Ideas to save Figaro

Posted on January 29, 2023 by barczablog

The Canadian Opera Company have revived Claus Guth‘s production of Mozart’s The Marriage of Figaro that they presented to us in 2016, this time with a slightly different cast and conductor. The three and a half hours fly by on … Continue reading →

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Bold Angel from Opera Atelier

Posted on October 31, 2021 by barczablog

Opera Atelier’s new film of Angel –fully-staged and filmed at St. Lawrence Hall—will be streaming until Friday, November 12. Angel is a bold experiment. I’m not sure how to describe the work, an interesting mixture of styles and idioms that … Continue reading →

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Garden of Vanished Pleasures aka the poetry of Derek Jarman

Posted on September 24, 2021 by barczablog

I wondered whether one needs to know Derek Jarman, as I watched Garden of Vanished Pleasures for the first time. It’s the new Soundtreams Online Broadcast through Crow’s Theatre that is available from now until October 10th. I wondered whether … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , , , , | 2 Comments

New & Improved Don Giovanni

Posted on November 3, 2019 by barczablog

I saw Opera Atelier’s revival of Don Giovanni that’s running at the Ed Mirvish Theatre.  I loved it last time & it continues to thrill me as though it weren’t an opera I’ve known since childhood. But it feels new.  … Continue reading →

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Look at The Angel Speaks

Posted on February 22, 2019 by barczablog

I’m sharing some lovely photos by Bruce Zinger of last night’s North American premiere of  The Angel Speaks at the ROM, featuring Opera Atelier and select artists of Tafelmusik Baroque Orchestra. Is Opera Atelier perhaps pushing the envelope of what … Continue reading →

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The Angel Speaks

Posted on February 22, 2019 by barczablog

Tonight I was present at the North American Premiere of The Angel Speaks, a program of several works in several styles from Opera Atelier in a single performance for a small audience at the Royal Ontario Museum. Would we call … Continue reading →

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Against the Grain Orphée+

Posted on April 28, 2018 by barczablog

Orphée+? That plus sign might signify an opera updated, enlarged, perhaps even reformed(?). The “+” means some remarkable additions and changes from Gluck’s original, Orphée et Eurydice (or the Italian version aka Orfeo ed Euridice). Gluck created more than one … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Popular music & culture, Reviews | Tagged , , , , , , , , , , , | 2 Comments

Alcina preview at RBA

Posted on October 14, 2014 by barczablog

The season of Thanksgiving continues, as I feel extraordinarily blessed for the wonderful day I am having. Not only did I have my three best nights in the theatre since the beginning of October (two performances of Falstaff and one … Continue reading →

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