Tag Archives: Mireille Asselin

Perfecting Persée

Posted on April 28, 2014 by barczablog

This morning I wondered, hm will I have anything to say?  This is Opera Atelier’s third Persée this millennium.  And now I have so much to say that I’ll probably have to split it into at least two separate posts.  … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , , | Leave a comment

Clemenza: Apollo’s Turn

Posted on February 4, 2013 by barczablog

After a week of thinking about Tristan und Isolde –at the COC, in the Opera Exchange, at the piano and rattling around inside my head—I was ready for something different.  Tristan is many things.  It’s humongous, it’s conceptual & symbolic, … Continue reading →

Posted in Opera, Politics, Reviews | Tagged , , , , , , , | 3 Comments

Second At Bat

Posted on October 13, 2012 by barczablog

I raved about the new Canadian Opera Company Die Fledermaus when it opened last week.  Tonight I had the privilege of another look with a slightly different cast. Some things inevitably work best the first time.  A joke with a … Continue reading →

Posted in Reviews | Tagged , , , , , , , , | 2 Comments

10 Questions for Mireille Asselin

Posted on May 19, 2012 by barczablog

A singer deemed “Superb” by the Los Angeles Times, praised by Opera Canada for her “vivacious stage presence” and “soprano that charms and brightens a room”, the grateful recipient of Opera Hamilton’s Sheila Zack Scholarship for Emerging Artists, Mireille Asselin … Continue reading →

Posted in Interviews | Tagged , , , , , , , , , | 1 Comment