Tag Archives: Mozart

Questions for Brahm Goldhamer: playing Schubert

Posted on January 2, 2016 by barczablog

I know Brahm Goldhamer as a collaborative pianist of exceptional sensitivity. Of all the Toronto pianists I’ve heard in the concert-opera mode—where piano must stand in for all the instruments of the orchestra—his performance in Debussy’s Pelléas et Mélisande in … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , | 3 Comments

What does this Requiem do? Ivany meets Mozart

Posted on April 2, 2015 by barczablog

The calendar reminds us of the relationship of our society and religion.  This week is one of those times of year when people may make their only annual visit to a church or synagogue, while those who are regular attendees or church … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays | Tagged , , , | 2 Comments

Yapping dog

Posted on June 6, 2014 by barczablog

I m far away. Far from home. Far from work.  I’m on vacation, musing about where this compulsive blogging fits in. Everything in a blog is necessarily about the person writing. Sure, the topic may be foreign cars or foreign … Continue reading →

Posted in Animals, domestic & wild, Music and musicology, Opera, Popular music & culture, Psychology and perception | Tagged , , , , , , | 1 Comment

Cosi women

Posted on January 19, 2014 by barczablog

When you walk into the Four Seasons Centre for the new Canadian Opera Company production of Cosi fan tutte the first thing you see is a huge reproduction of Frida Kahlo’s painting Two Fridas. I imagined what Frida might have … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , , , , | 4 Comments

Ten Questions for Marshall Pynkoski

Posted on October 10, 2013 by barczablog

Marshall Pynkoski is one of Toronto’s greatest artists, even if he has been completely misunderstood.  Since its inception in 1985, Opera Atelier has been a kind of lightning rod in Toronto for the conversation about historically informed performance.  With co-artistic … Continue reading →

Posted in Interviews, Opera | Tagged , , , , | 4 Comments

Harnass The Worm

Posted on June 28, 2013 by barczablog

I remember taking Psych 100 long ago as an undergrad.  Many of our lessons required us to read articles from publications such as Scientific  American.   I recall one such article concerning eidetic memory, a phenomenon popularly known as “photographic memory”.  … Continue reading →

Posted in Personal ruminations & essays, Psychology and perception | Tagged , , , , , | 1 Comment

Coming of Age Stories

Posted on April 5, 2013 by barczablog

With the passage of time, people get older.  The battles that consumed them in their youth are set aside, as they seek stability and begin to contemplate their legacy.  In that gradual coming into focus, frivolity falls by the wayside … Continue reading →

Posted in Reviews | Tagged , , , , , , , , , | 1 Comment

Late Mozart 2: caveats

Posted on April 4, 2013 by barczablog

Mozart censored? Operas did sometimes have to clear hurdles in the century of their creation, but actually I was thinking about the censure of a modern audience. And so I continue to ramble about late Mozart, inspired by a happy … Continue reading →

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10 Questions for Ambur Braid

Posted on March 9, 2013 by barczablog

Ambur Braid may have a catchy name, but the reason you remember it is because of what she does with her opportunities. The voice gets mentioned almost in passing (a secure dramatic coloratura that allows her to undertake challenging roles … Continue reading →

Posted in Interviews | Tagged , , , , , , , , , , | 1 Comment

Pageants of Power

Posted on February 25, 2013 by barczablog

Whenever a new pair of presenters come out onto the stage at the Academy Awards, the pit band begins to play something suitable. Nobody does that when I walk into a room. I was thinking about this after reading some … Continue reading →

Posted in Essays, Opera, Politics | Tagged , , , , , , , , , , , | 8 Comments