Tag Archives: Opera Atelier

WTF?

Posted on October 30, 2012 by barczablog

WTF: What’s the Fach? Okay, okay, I admit I’m having fun with headlines.  I’m still convalescing, while the continent convulses (or as my friend Trevor said “earthquakes to the west of me, hurricanes to the east, here I am, stuck … Continue reading →

Posted in Essays | Tagged , , | 1 Comment

First look at Freischütz

Posted on October 26, 2012 by barczablog

Tonight I attended the dress rehearsal of the Opera Atelier production of Carl Maria von Weber’s Der Freischütz at the Elgin Theatre, a moment I’d been eagerly anticipating for weeks. Coming into the evening I was certain we’d have at … Continue reading →

Posted in Reviews | Tagged , , , , , , | 4 Comments

10 Questions for Meghan Lindsay

Posted on October 24, 2012 by barczablog

Hailed by critics as a singer with “lovely stage presence,” a “silvery tone,” and “exquisite mezza voce,” Canadian soprano Meghan Lindsay is enjoying a vibrant career. She begins the 2012/13 season with the role of Agathe in Opera Atelier’s Der … Continue reading →

Posted in Interviews | Tagged , , , , , , , , , , , , | Leave a comment

10 Questions for David Fallis

Posted on October 12, 2012 by barczablog

David Fallis is surely one of the most important musical minds in Canada.  He is Music Director for Opera Atelier, a long-time member and Artistic Director of the Toronto Consort, and director of Choir 21 (a choir specializing in 21st … Continue reading →

Posted in Interviews | Tagged , , , , , , , | 6 Comments

September Buzz

Posted on September 13, 2012 by barczablog

In the circles I share in person or online I am thinking about the question of buzz, to which I alluded recently. I’m excited to be going to a brand-new opera tomorrow night, namely Julie Sits Waiting.  It’s hard for … Continue reading →

Posted in Essays | Tagged , , , , , , , , , | 2 Comments

10 Questions for Mireille Asselin

Posted on May 19, 2012 by barczablog

A singer deemed “Superb” by the Los Angeles Times, praised by Opera Canada for her “vivacious stage presence” and “soprano that charms and brightens a room”, the grateful recipient of Opera Hamilton’s Sheila Zack Scholarship for Emerging Artists, Mireille Asselin … Continue reading →

Posted in Interviews | Tagged , , , , , , , , , | 1 Comment

Opera Atelier’s Armide in Toronto

Posted on April 18, 2012 by barczablog

I have to rethink my week, because somehow I have to get to see Opera Atelier’s production of Jean-Baptiste Lully’s Armide again.  Possibly the finest opera of the 17th Century, and certainly one of the greatest operas ever written, it’s … Continue reading →

Posted in Reviews | Tagged , , , , , , | 1 Comment

10 Questions for Jeannette Lajeunesse Zingg

Posted on March 31, 2012 by barczablog

Canadian dancer and choreographer Jeannette Lajeunesse Zingg has performed internationally in classical ballet, modern dance and national/historical dance.  Her training took place at The Royal Academy of Dancing in London, England and in Copenhagen, Denmark. Jeannette Lajeunesse Zingg, with Marshall … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , | 1 Comment

Armide returns to Toronto

Posted on March 15, 2012 by barczablog

Opera Atelier’s production of Lully’s Armide is coming back to Toronto, the first stop in an international tour.  After a week in Toronto, May takes them to Royal Opéra, Versailles, followed by a summertime sojourn at Glimmerglass Festival in New … Continue reading →

Posted in Essays, Opera | Tagged , , , | Leave a comment

Don Giovanni 2.0

Posted on October 30, 2011 by barczablog

Tonight I attended the opening night of Opera Atelier’s new production of Mozart’s Don Giovanni.  This is their second production of the opera in roughly a decade, one I am inclined to call Don Giovanni 2.0 because this feels like … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , | 7 Comments