Tag Archives: Victor Davies

SOLT, The Importance of

Posted on August 5, 2019 by barczablog

This afternoon I saw the closing matinee of EARNEST, The Importance of Being, presented by Summer Opera Lyric Theatre and Research Centre (aka SOLT), at the Robert Gill Theatre. It’s an operetta based on Oscar Wilde’s play with music by … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews, University life | Tagged Anika-France Forget, EARNEST the importance of being, Eugene Benson, Guillermo Silva-Marin, Karen Bojti, Katelyn Bird, Victor Davies | Leave a comment

Questions for Colin Ainsworth: Actéon and Pygmalion

Posted on October 13, 2018 by barczablog

Tenor Colin Ainsworth is one of the most versatile performers I know. While he regularly stars in period performance he has done lots of new works, including Victor Davies’ The Transit of Venus and Rufus Wainwright’s Prima Donna. He has had … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged A Rake's Progress, Actéon, Armide, Charpentier, Colin Ainsworth, Elgin Theatre, haute-contre, Opera Atelier, Peggy Kriha Dye, Prima Donna, Pygmalion, Rameau, Rufus Wainwright, The Hours, Tom Rakewell, Victor Davies | 1 Comment

Tag Archives: Victor Davies

SOLT, The Importance of

Questions for Colin Ainsworth: Actéon and Pygmalion

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