Category Archives: Music and musicology

Italian Mime Preview

Posted on April 22, 2022 by barczablog

I was at the preview of Italian Mime Suicide from Bad New Days, co-directed by Kari Pederson and Adam Paolozza. It’s short but intense, part lecture, part performance, sometimes serious sometimes funny. No question about it, I’m out of practice, … Continue reading →

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Ecology of Being –Duo Concertante

Posted on April 16, 2022 by barczablog

In childhood I heard musicians and performers protesting the Vietnam War or advocating as part of the Civil Rights Movement. Ever since I’ve admired activist artists. Music, film, satire, humour, painting, can all be powerful voices advocating change, moving emotions, … Continue reading →

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Truth in our Time—NACO

Posted on March 31, 2022 by barczablog

It’s an ambitious package, this National Arts Centre Orchestra Tour. There’s a world premiere of a Philip Glass symphony, commissioned by the family of newsman Peter Jennings, and three other works collected around the idea of “truth in our time”, … Continue reading →

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Alexander Shelley is coming to town

Posted on March 27, 2022 by barczablog

Before there were convoys and honking horns, it used to be said that living in Ottawa gave you advantages, because of your proximity to the seats of power. Yet maybe there’s still some truth to it when we look at … Continue reading →

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Composers dissing composers

Posted on March 21, 2022 by barczablog

Earlier today I commented on John Gilks’ post about The Lion Heart a new opera by Corey Arnold and Kyle McDonald that received its world premiere in a semi-staged production this past weekend. Near the end of his review John … Continue reading →

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Kindred Spirits Orchestra– Enigma Variations

Posted on March 13, 2022 by barczablog

Last night I heard Kindred Spirits Orchestra playing at the Richmond Hill Centre, led by their conductor Kristian Alexander with piano soloist Naomi Wong. From outside it looks nice enough.. I forget the beauty of this space, until I enter. … Continue reading →

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The Princess Bride at the TSO

Posted on March 5, 2022 by barczablog

The Princess Bride is showing at Roy Thomson Hall, accompanied by the Toronto Symphony Orchestra who play the accompaniment live. It’s the perfect film for 2022. How? It features a tyrannical villain who lies shamelessly, just like certain people we … Continue reading →

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Chatting with Bruce McGillivray about the German bow, music and rehabilitation

Posted on February 28, 2022 by barczablog

After a short stay in Mt Sinai after collapsing in early September, my mother went to Bridgepoint Hospital for rehab, gradually seeking to re-cover her mobility with the help of physical therapy. The beautiful view through the window lifts patients’ … Continue reading →

Posted in Food, Health and Nutrition, Interviews, Music and musicology, My mother, Personal ruminations & essays, Popular music & culture | Tagged , , , , , , , , , , , | 2 Comments

Gimeno, Schumann’s Spring, Pal’s Scylla at the TSO

Posted on February 6, 2022 by barczablog

What an unusual night for the Toronto Symphony. It’s 11:20 pm as I begin to write this, recalling the headline on CP24 (a picture I snapped at 4:33 pm) about Toronto’s downtown, that says “BREAKING: Traffic is gridlocked in much … Continue reading →

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The Music of Our Time: John Williams at 90

Posted on February 4, 2022 by barczablog

It can be awe-inspiring to look at a composer’s lifetime of work. We know that JS Bach composed over 1,000 pieces in his 65 years, while Mozart, who lived only 35 years, composed perhaps 600 pieces. Yet we only care … Continue reading →

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