Category Archives: Music and musicology

Joyful Gimeno + Virtuosic TSO

Posted on June 17, 2022 by barczablog

The title of tonight’s performance by Toronto Symphony was “Gimeno + Beethoven’s “Ode to Joy”, a celebratory concert. It’s the TSO’s centennial season and a perfect way to bring Gustavo Gimeno’s first in-person season as music director to a conclusion. … Continue reading →

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From the Met: Jocelyn and Dean create a Hamlet

Posted on June 5, 2022 by barczablog

Adapting a play into an opera can be fascinating work, especially when it’s as well-known a play as Hamlet. I’ve seen several attempts to turn this play into something else including a couple of musicals, an opera long ago, and … Continue reading →

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A Tafelmusik Tribute to Jeanne Lamon

Posted on June 3, 2022 by barczablog

Tonight I watched a Tafelmusik concert recorded in April, celebrating the life of Jeanne Lamon. I knew the curated experience from Alison Mackay and Christina Mahler would be meaningful, and they exceeded expectation. R.H. Thomson narrated a kind of documentary … Continue reading →

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RUR A Torrent of Ideas

Posted on May 29, 2022 by barczablog

Tapestry Opera and OCAD University have a new site-specific opera on display. I chose the verb carefully given that many think of the medium as something one hears, when its tradition has often been one of spectacle, design, the Deus … Continue reading →

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Toronto Choral Society – Mozart Requiem

Posted on May 26, 2022 by barczablog

I had my first experience with Toronto Choral Society last night at Eastminster United Church on Danforth. Holly Chaplin’s page on Facebook (where my review of the weekend opera was shared) told me that she and Joshua Clemenger (also in … Continue reading →

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Mind-boggling Mother of Us All

Posted on May 23, 2022 by barczablog

It was excellent, this Canadian premiere of The Mother of Us All, Virgil Thomson’s setting of Gertrude Stein’s poetic libretto. The opera tells us about Susan B Anthony starring Meghan Lindsay in the title role, presented under the auspices of … Continue reading →

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Gimeno + Hannigan = Ear-candy

Posted on May 20, 2022 by barczablog

It was a splendid formula. Far be it from me to propose something as reductive as math in the headline, only that the concert is titled “Gimeno + Hannigan”, which is certainly a quick overview. Between them Gustavo Gimeno and … Continue reading →

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Virtual Bach

Posted on May 7, 2022 by barczablog

While I hoped to go to Tafelmusik’s presentation of the Bach B-minor Mass Thursday night in Massey Hall it was not to be. I was still testing positive for COVID. Instead Friday night I chose to watch a live concert … Continue reading →

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News, positive and negative

Posted on April 28, 2022 by barczablog

It’s been a hard week so far. I’m heart-broken with the news in my inbox, that Elisa Citterio is leaving Tafelmusik. I can’t help but wonder about the subtexts for this change. Perhaps it’s just the pandemic and its deadly … Continue reading →

Posted in Dance, theatre & musicals, Food, Health and Nutrition, Music and musicology, Opera, Press Releases and Announcements | Tagged , , , , , , , , , , , , , , | 2 Comments

Kyle McDonald talks about Conan and Mightier Productions

Posted on April 27, 2022 by barczablog

Kyle McDonald and Mightier Productions premiere a new opera on May 5th, titled Conan and the Stone of Kelior. I asked Kyle a few questions. BB: When I look at your website, I see a commercial venture: (hopefully you recognize … Continue reading →

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