Category Archives: Music and musicology

Yiddish Glory: The Lost Songs of World War II

Posted on August 29, 2018 by barczablog

Tonight was the opening night concert of the 2018 Ashkenaz Festival at Koerner Hall, an unforgettable evening of Yiddish culture titled “Yiddish Glory: The Lost Songs of World War II”. For awhile Soviet scholars worked to assemble an archive of … Continue reading →

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Exploring: Liszt and the Symphonic Poem

Posted on August 22, 2018 by barczablog

Serendipity leads me in my choices at the library. Sometimes I get lucky. There is so much more to Liszt than his abilities as a pianist, or his virtuoso compositions for piano such as the Hungarian Rhapsodies. Did you first … Continue reading →

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Wolastoqiyik Lintuwakonawa (Our Maliseets Songs) from Jeremy Dutcher

Posted on August 17, 2018 by barczablog

I’ve been listening to Jeremy Dutcher’s debut CD, Wolastoqiyik Lintuwakonawa. When I googled to try to find out what that means, the phrase “Our Maliseets Songs” came up. Wikipedia tells me that “The Wolastoqiyik, or Maliseet are an Algonquian-speaking First … Continue reading →

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To re-purpose

Posted on August 12, 2018 by barczablog

The word is in my head after The Death of Stalin. Iannucci’s film takes music and uses it in new ways. Whether we’re talking about John Hughes, Stanley Kubrick or your organist at church, the re-use of an existing piece … Continue reading →

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The Death of Stalin

Posted on August 11, 2018 by barczablog

It was promoted as a comedy. That reminds me of a joke I heard years ago. Stalin is addressing the Supreme Soviet, speaking and suddenly: a sneeze is heard. Stalin stops speaking, and asks sternly “who snyeeezed?” (my friend who … Continue reading →

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Escape from wartime reflections

Posted on August 1, 2018 by barczablog

Tonight’s installment of the Toronto Summer Music Festival might seem to have ignored their theme of “Reflections of Wartime”. The only real battle in Walter Hall was for our hearts, a friendly popularity contest between Angela Cheng and Alvin Chow. … Continue reading →

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Oxymoronic Gould Transcriptions

Posted on July 29, 2018 by barczablog

It seems like a lifetime ago, back when Glenn Gould was still alive. I’d first learned of him in my childhood as the one who showed us a new approach to Bach, a famous performer who had then abandoned live … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , | 3 Comments

Music minus one

Posted on July 28, 2018 by barczablog

I write a lot about transcriptions possibly because they’re so much fun. Sometimes I can manage to play them, sometimes they’re too difficult but still fascinating to explore.  One plays a piano piece while imagining an original from another context, … Continue reading →

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L’Histoire du Toronto Summer Music

Posted on July 20, 2018 by barczablog

It was all there tonight, on the stage of Koerner Hall. Sometimes concerts are microcosms that allow you to see and grasp everything in one lucid moment. It’s the second year of Jonathan Crow’s tenure as Artistic Director of the … Continue reading →

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Unforced Tears of Exile

Posted on July 17, 2018 by barczablog

Toronto Summer Music Festival’s theme for 2018 is “Reflections of Wartime”, in the centennial of the last year of World War I.  Tonight was my first concert, a presentation titled “Tears of Exile”, a program by Studio de musique ancienne … Continue reading →

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