-
Recent Posts
Subjects
- Animals, domestic & wild
- Art, Architecture & Design
- Books & Literature
- Cinema, video & DVDs
- Dance, theatre & musicals
- Essays
- Food, Health and Nutrition
- guest blog
- Interviews
- Music and musicology
- My mother
- Opera
- Personal ruminations & essays
- Politics
- Popular music & culture
- Press Releases and Announcements
- Psychology and perception
- Reviews
- Spirituality & Religion
- Sports
- University life
- Against the Grain Theatre
- Aleksandar Lukac
- Alexander Neef
- Allyson McHardy
- Ambur Braid
- Andrew Haji
- Barbara Hannigan
- Beethoven
- Ben Heppner
- Benjamin Britten
- Canadian Opera Company
- Canadian Stage
- Carla Huhtanen
- Christopher Alden
- Claude Debussy
- COC
- Colin Ainsworth
- David Fallis
- Felix Mendelssohn
- Four Seasons Centre
- Franz Liszt
- Franz Schubert
- George Frideric Handel
- Giacomo Puccini
- Giuseppe Verdi
- Glenn Gould
- Guillermo Silva-Marin
- Gustav Mahler
- Gustavo Gimeno
- Handel
- Hector Berlioz
- Ivars Taurins
- Jane Archibald
- Joel Ivany
- Johannes Debus
- John Adams
- Jonathan Crow
- Koerner Hall
- Krisztina Szabo
- La Clemenza di Tito
- Linda Hutcheon
- Ludwig van Beethoven
- Marshall Pynkoski
- Meghan Lindsay
- Messiah
- Metropolitan Opera
- Mireille Asselin
- Mozart
- opera
- Opera Atelier
- Parsifal
- Pelleas et Melisande
- Peter Oundjian
- Philip Glass
- Puccini
- Richard Strauss
- Richard Wagner
- Rigoletto
- Robert Carsen
- Robert Lepage
- Roy Thomson Hall
- Russell Braun
- Sky Gilbert
- Sondra Radvanovsky
- Stewart Goodyear
- Tafelmusik Baroque Orchestra
- Talk is Free Theatre
- Tapestry Opera
- Toronto Operetta Theatre
- Toronto Summer Music
- Toronto Symphony Orchestra
- Tristan und Isolde
- Wagner
- William Shakespeare
- Wolfgang Amadeus Mozart
Archives
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
Meta
-
Join 2,308 other subscribers
Tag Archives: Alaina Viau
Framing the Pollyanna proposition
January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays
Tagged 887, Against the Grain Theatre, Alaina Viau, Amplified Opera, Aria Umezawa, Book of my shames, crystal pite, Dawn Jani Birley, Elisa Citterio, Gustavo Gimeno, Isaiah Bell, Joel Ivany, Johannes Debus, Jonathan Crow, Jonathan Young, Kiviuq Returns, Kopernikus, Laakkuluk Williamson Bathory, Masaaki Suzuki, Musique 3 Femmes, Revisor, Robert Lepage, Rusalka, Sondra Radvanovsky, Tamara Wilson, Teiya Kasahara, The St Matthew Passion, Toronto City Opera, Wajdi Mouawad
1 Comment
TCO Traviata
Toronto City Opera? While the name is new to me, reading the history I see the lineage, going back over forty years to the legacy of Giuseppe Macina’s Toronto Opera Repertoire. You can read more of their history here. This … Continue reading
L’Histoire du Toronto Summer Music
It was all there tonight, on the stage of Koerner Hall. Sometimes concerts are microcosms that allow you to see and grasp everything in one lucid moment. It’s the second year of Jonathan Crow’s tenure as Artistic Director of the … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Opera
Tagged Alaina Viau, Derek Boyes, Jennifer Nichols, Jonathan Crow, Kelly Zimba, Koerner Hall, Miles Jaques, Suzanne Roberts Smith, Toronto Summer Music, Toronto Symphony Orchestra, TSM Academy Fellows, TSO Chamber Soloists
Leave a comment
Filet of Carmen
Considering that the heroine of Bizet’s opera usually ends up stabbed, I want to make clear that the headline refers to Peter Brook’s La Tragédie de Carmen, a much shorter version of the original, and not the violence meted out … Continue reading
Posted in Opera, Reviews
Tagged Against the Grain Theatre, Alaina Viau, Carmen, Cassandra Warner, Georges Bizet, La Tragedie de Carmen, Ryan Harper
7 Comments
10 questions for Alaina Viau
Alaina Viau works at the Glenn Gould School at the RCM as the Opera and Royal Conservatory Orchestra Manager. What makes her tick? Real performances where there is natural movement and real emotions on stage, with singing that will make … Continue reading
barczablog 