Category Archives: Opera

Oxymoronic Augmented Opera

Posted on November 23, 2019 by barczablog

I don’t use that word lightly, and it’s not an insult. Some operas are oxymoronic, rife with contradiction, asymptotic in their fascination with impossibilities. Maeterlinck’s play Pelléas et Mélisande is the creation of a playwright who cringed in the presence … Continue reading →

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Eight Singers Drinking: and Singing

Posted on November 9, 2019 by barczablog

While eight singers may have been drinking eight drinks at 8:00 pm on November 8th no one ate much of anything. (see what I did there?) At first I just thought it was a fun exercise, an excuse for a … Continue reading →

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New & Improved Don Giovanni

Posted on November 3, 2019 by barczablog

I saw Opera Atelier’s revival of Don Giovanni that’s running at the Ed Mirvish Theatre.  I loved it last time & it continues to thrill me as though it weren’t an opera I’ve known since childhood. But it feels new.  … Continue reading →

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Opera Atelier Don Giovanni: Toronto context

Posted on October 28, 2019 by barczablog

Two down, one to go as far as the big operas are concerned. Robert Wilson’s Turandot and David McVicar’s Rusalka, a pair of fairy-tale operas in visually brilliant productions have finished at the Canadian Opera Company, while Opera Atelier are … Continue reading →

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Resonant Minorities

Posted on October 18, 2019 by barczablog

Tonight I was present at the Canadian premiere of Yang Zhen’s third installment of his “Revolution Game Trilogy”, Minorities, a Red Virgo production presented by Canadian Stage. You will recognize many things in this show. We watch five female dancers later … Continue reading →

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Rusalka: and now for something completely different

Posted on October 13, 2019 by barczablog

Tonight the Canadian Opera Company premiered their take on the recent Lyric Opera of Chicago production of Dvořák’s Rusalka directed by Sir David McVicar. It stands in rather stark contrast to the other current COC production, Puccini’s Turandot¸ whose mise-en-scene … Continue reading →

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Amplified Opera —The Queen in Me

Posted on October 12, 2019 by barczablog

The title tells the story. Night #2 in the Amplified Opera opening concert series at the Ernest Balmer Studio was The Queen in Me, a performance piece straddling the line between surreal confessional and stand-up comedy, a brilliant piece of … Continue reading →

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Somewhere over the… moon?

Posted on October 11, 2019 by barczablog

Both works currently playing at the Canadian Opera Company feature a famous aria known by people who might otherwise not know the whole work. In Turandot it’s “nessun dorma”, a piece associated with Luciano Pavarotti, and maybe a little bit … Continue reading →

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AMPLIFIED OPERA @ birth: The Way I See It 

Posted on October 11, 2019 by barczablog

I was among the audience present at the Ernest Balmer Studio for the birth of Amplified Opera, the brain-child of Teiya Kasahara & Aria Umezawa, in the first of three different programs to launch a new opera company. Directed by … Continue reading →

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Robert Wilson’s Turandot

Posted on September 29, 2019 by barczablog

While the music is very much Puccini’s Turandot, a regular opera fan attending the premiere of the Canadian Opera Company’s new production might have trouble recognizing it. That’s why the headline proclaims it as Robert Wilson’s Turandot. Two words lurk … Continue reading →

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