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Tag Archives: Amplified Opera
Closing show preview of what’s to come
My mantra is “I’m a lucky guy”. It’s admittedly designed to be a self-fulfilling prophecy, useful because you notice the good things happening to you if you begin with the belief in their likelihood, the presupposition of good fortune and … Continue reading
Framing the Pollyanna proposition
January is named for that two-headed god who is able to look ahead and back. As I ponder the wreckage of 2019 I wonder if Janus was too busy looking down at his phone and not watching where he was … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Personal ruminations & essays
Tagged 887, Against the Grain Theatre, Alaina Viau, Amplified Opera, Aria Umezawa, Book of my shames, crystal pite, Dawn Jani Birley, Elisa Citterio, Gustavo Gimeno, Isaiah Bell, Joel Ivany, Johannes Debus, Jonathan Crow, Jonathan Young, Kiviuq Returns, Kopernikus, Laakkuluk Williamson Bathory, Masaaki Suzuki, Musique 3 Femmes, Revisor, Robert Lepage, Rusalka, Sondra Radvanovsky, Tamara Wilson, Teiya Kasahara, The St Matthew Passion, Toronto City Opera, Wajdi Mouawad
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Amplified Opera —The Queen in Me
The title tells the story. Night #2 in the Amplified Opera opening concert series at the Ernest Balmer Studio was The Queen in Me, a performance piece straddling the line between surreal confessional and stand-up comedy, a brilliant piece of … Continue reading
AMPLIFIED OPERA @ birth: The Way I See It
I was among the audience present at the Ernest Balmer Studio for the birth of Amplified Opera, the brain-child of Teiya Kasahara & Aria Umezawa, in the first of three different programs to launch a new opera company. Directed by … Continue reading
Amplified Opera: interviewing Teiya Kasahara and Aria Umezawa
I have huge admiration for the two artists behind Amplified Opera (aka AO), namely Aria Umezawa and Teiya Kasahara, a new opera company. Aria directed L’hiver attend beaucoup de moi in March. Teiya was larger than life singing in Pomegranate in … Continue reading
Posted in Interviews, Music and musicology, Opera, Politics
Tagged Amplified Opera, Andrea Donaldson, Aria Umezawa, Ernest Balmer Studio, Kenneth Overton, Laurie Rubin, Liz Upchurch, Michael Mohammed, Rich Coburn, Teiya Kasahara, The Queen in Me, The Way I see it, Trevor Chartrand, What's Known to Me is Endless
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barczablog 