Category Archives: Opera

Raiders: Williams & the matter of popularity

Posted on March 30, 2017 by barczablog

The recent fad for films with live accompaniment is shining a light on artistry that has often languished in obscurity.  Oh sure, film music composers are well paid, especially someone like John Williams, composer of the score for Raiders of … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Reviews | Leave a comment

Beyond Reason: Wagner contra Nietzsche

Posted on March 25, 2017 by barczablog

I finished my previous book last night (They Can’t Kill Us All). I began the review of that fascinating book—filled with the keen-eyed observations of Washington Post reporter Wesley Lowery—by a kind of apologetic preamble about my life in fantasyland, … Continue reading →

Posted in Books & Literature, Opera, Politics | 1 Comment

Moses,Aaron, and a few others at TIFF

Posted on March 13, 2017 by barczablog

Today TIFF presented two musically-oriented films from their Straub-Huillet retrospective, introduced with a live performance by Against the Grain Theatre. AtG have boldly gone where opera has not often gone before, taking their productions into bars, TV studios, and now … Continue reading →

Posted in Cinema, video & DVDs, Opera, Reviews | 1 Comment

Louis Riel returns to Canadian Opera Company

Posted on March 9, 2017 by barczablog

LOUIS RIEL RETURNS TO CANADIAN OPERA COMPANY WITH  INCLUSIVE AND EXPANSIVE HISTORY RESTORED A Contentious and Provocative Celebratory Work to Honour Canada’s History Toronto – Canadian history comes to life on the stage of the Four Seasons Centre for the … Continue reading →

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Immolation Nation

Posted on February 26, 2017 by barczablog

The morning after the end of the world feels pretty good, especially if you’re one of the little people and not one of the old gods swept aside. I am not Barack or Hillary, just one of the little people who … Continue reading →

Posted in Opera, Reviews | Leave a comment

An Evening with the Ensemble Studio

Posted on February 24, 2017 by barczablog

Institutions are like buildings. They have structures.  They’re solid, which means they resist change, and offer shelter to those who rely upon them. A change in an institution may be bewildering and hard to understand, but is ultimately inevitable, even … Continue reading →

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Kindred Spirits in Markham

Posted on February 12, 2017 by barczablog

At the risk of saying something really obvious: there’s a great deal of music going on in Toronto, and all around the city too.  I ventured just north of the city to one of several community venues, the charming 527 … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays | Leave a comment

Remembering Nicolai Gedda

Posted on February 11, 2017 by barczablog

The passing of tenor Nicolai Gedda will elicit testimonials and remembrances of the artist, of the person, of performances & great moments. I’m just sharing this because I think it’s important to do so, arguably all that we have.  Drama … Continue reading →

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Götterdämmerung

Posted on February 3, 2017 by barczablog

When I did my year-end review of the highlights of 2016, I cited the Canadian Opera Company’s production of Wagner’s Siegfried in January. Here we are beginning 2017 and once again I’ve experienced something that will be hard to beat. … Continue reading →

Posted in Music and musicology, Opera, Reviews | 1 Comment

Questions for Eric Weimer: coaching Götterdämmerung for COC

Posted on January 30, 2017 by barczablog

A veteran of over 30 years at Lyric Opera of Chicago, Eric Weimer has coached over 100 Lyric productions, as well as an additional 100 productions in other international houses, including the Metropolitan Opera and the Bayreuth Festival. Renowned particularly … Continue reading →

Posted in Interviews, Opera | Leave a comment