Category Archives: Opera

Oksana G review

Posted on May 25, 2017 by barczablog

Tonight was the world premiere of Tapestry Opera’s Oksana G¸ a new full-length opera with music by Aaron Gervais and libretto by Colleen Murphy, stage direction by Tom Diamond and music direction by Jordan de Souza. As an event promoted … Continue reading →

Posted in Opera, Reviews | 2 Comments

Dr. Bartolo’s Umbrella launching May 24th

Posted on May 23, 2017 by barczablog

Introducing Dr Bartolo’s Umbrella: Christopher Cameron’s funny, irreverent, touching memoir of his life as a Canadian opera and concert singer in the 1970s and 80s. His often hilarious stories about performing offer insight into their historical context, plus such arcane facts … Continue reading →

Posted in Opera, Press Releases and Announcements | Leave a comment

Time stands still in Carsen’s middle ground

Posted on May 15, 2017 by barczablog

Every now and then the stars align for something extraordinary.  Yesterday’s final high-definition broadcast from the Metropolitan Opera brought us something unique, with the help of Robert Carsen’s production of Der Rosenkavalier. Carsen has found a niche for himself in … Continue reading →

Posted in Opera, Personal ruminations & essays, Reviews | 2 Comments

Cavalli’s Elena from Toronto Consort

Posted on May 13, 2017 by barczablog

Francesco Cavalli’s Elena received its Canadian premiere tonight at the Jeanne Lamon Hall in a partially staged performance that was still more than enough to charm the audience in attendance. As my companion observed it was a nerdy bunch, ready … Continue reading →

Posted in Music and musicology, Opera, Reviews | 1 Comment

The Return and its promise

Posted on May 5, 2017 by barczablog

Three performances remain of The Return (il ritorno) at the Bluma Appel Theatre, the last of Canadian Stage’s “Spotlight Australia”, a kind of festival that they’ve offered the past few weeks.  The Return, from Circa appears to be the creation of Yaron Lifschitz, … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | 3 Comments

Questions for Natalya Gennadi – Oksana G.

Posted on May 1, 2017 by barczablog

Ukrainian Canadian soprano Natalya Gennadi was recently announced as a replacement in the title role of Tapestry Opera’s Oksana G, when the original singer had to cancel. Oksana G tells the story of a young Ukrainian woman lured into the … Continue reading →

Posted in Interviews, Opera | Leave a comment

MYOpera + Rossini = the perfect marriage

Posted on April 29, 2017 by barczablog

I like an opera with ambition. Tonight I saw a production with style & wit whose chief ambition was to make us laugh: and it succeeded admirably because it was unafraid of sometimes being totally silly. MYOpera launched their 2017 … Continue reading →

Posted in Opera, Reviews | Leave a comment

CCOC’s 50th Anniversary Season Announcement

Posted on April 25, 2017 by barczablog

Ben Heppner and other opera stars join the Canadian Children’s Opera Company for thrilling 50th Anniversary Season TORONTO – The Canadian Children’s Opera Company presents the thrilling lineup of its 2016/2017 50th Anniversary Season.  Founded by Ruby Mercer and Lloyd … Continue reading →

Posted in Opera, Press Releases and Announcements | Leave a comment

Opera Atelier: badass Jason vs hot mess Medea

Posted on April 23, 2017 by barczablog

When an opera company remounts a work they’ve done before, one wants to see improvement. Lately every time Opera Atelier revives a piece it comes back better than before. Tonight was the opening of Charpentier’s Médée, promoted as “Medea and … Continue reading →

Posted in Opera, Reviews | 1 Comment

Hinton’s Riel: protocols for reconciliation

Posted on April 21, 2017 by barczablog

When I look back at my childhood, the way the word “Indian” was used and abused, I can barely recognize where we were and where we’ve come. The past two years have been especially transformative, with the Truth & Reconciliation … Continue reading →

Posted in Opera, Politics, Reviews | 3 Comments