Category Archives: Reviews

Studies in Motion decidedly Electric

The presentation of Electric Company Theatre’s Studies in Motion is superficially important as part of the reinvention of the Canadian Stage brand in Toronto.  I’m grateful to CanStage for giving us another look at one of the important companies working … Continue reading →

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Genoveva November 17th

How good is Robert Schumann’s Genoveva?  It depends who you ask.  Conventional musicological wisdom from a generation ago consigns Schumann to the same kind of niche as other virtuosi such as Chopin and Liszt.  Their solo piano works are brilliant … Continue reading →

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COC: Aida & Death in Venice

Once upon a time, the key to operatic success was understood according to the prestige associated with the famous singers in the cast.  Success required star-power, at least in the viewpoint of the influential impresario Sol Hurok, who changed our … Continue reading →

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Eonnagata in Toronto

The opening image of Eonnagata, the latest production from Ex Machina, Robert Lepage’s company that premiered recently at the Sony Centre, reminded me of a seminal moment of Wagner’s Das Rheingold, the opera that begins the Ring cycle.  We see … Continue reading →

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