Tag Archives: Claude Debussy

R.I.P.

Posted on October 28, 2013 by barczablog

“Requiescat in Pace” is the last line in the third of three operas presented by Opera 5, namely Cecilia Livingston’s The Masque of the Red Death, whereby we had the name for the evening’s program. I wonder if Poe’s story … Continue reading →

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10 Questions for Cecilia Livingston

Posted on October 14, 2013 by barczablog

Known across Canada and the US for her vocal music, Cecilia Livingston is deeply involved in Toronto’s choral and opera communities, with a special focus on writing music for women’s voices. She looks forward to projects in 2014-2015 in collaboration … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , , , , , | 2 Comments

Symbolist horror

Posted on October 12, 2013 by barczablog

What’s in a name? Sometimes we grab onto something in a name, think we know what we have, and miss something else through our assumptions.  We’re so enamoured for instance with the mystique of the rose, but we don’t usually … Continue reading →

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Ready for Prime Time: Savitri & Sam

Posted on September 29, 2013 by barczablog

Okay, maybe the headline tells you what show i am about to watch on TV, coming home from a (hint hint) Saturday night opera.   But i really mean it, they’re ready. Tonight I went to see a public presentation … Continue reading →

Posted in Dance, theatre & musicals, Opera | Tagged , , , , , , , , , , | 3 Comments

Exoticism –The Music of Karol Szymanowski

Posted on July 31, 2013 by barczablog

Earlier this summer I let someone pick the play I saw, observing how it’s valuable to let someone else choose what one will see and/or hear.  We circumscribe ourselves with our menu choices, our viewing habits, our purchases, boxing ourselves … Continue reading →

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Cat music

Posted on July 23, 2013 by barczablog

I’ve written about cats before in this space.  At one time there were two cats in my house, Tara & Scarlett.  They had been born feral but rescued, fixed and raised for years in our home. Then one day Tara … Continue reading →

Posted in Animals, domestic & wild, Music and musicology, Personal ruminations & essays | Tagged , , , , | 3 Comments

The Geneology of Minimalism

Posted on July 21, 2013 by barczablog

A one word headline might be more minimalistic than this pretentious sounding title.  A friend cited Nietzsche’s Geneology of Morals, and it stayed in my head like a verbal ear-worm I suppose.  Or I could have emulated Darwin, to call … Continue reading →

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Wagnerian Bicentennial

Posted on May 22, 2013 by barczablog

We’ve come to the first of the three important opera composer birthdays in 2013. May 22:  Richard Wagner’s bicentennial October 10:  Giuseppe Verdi’s bicentennial November 22: Benjamin Britten’s centennial You may prefer Britten’s operas. You may point to the box … Continue reading →

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Topher and “The French Connection”

Posted on April 9, 2013 by barczablog

I couldn’t help understanding Topher Mokrzewski’s concert today at the Richard Bradshaw Auditorium (the intimate concert space in the upper lobby of the Four Seasons Centre) as a goodbye.  As is usual, the introduction told us a bit of the … Continue reading →

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U-Carmen eKhayelitsha

Posted on October 28, 2012 by barczablog

Last weekend I was fortunate to see U-Carmen eKhayelitsha, a 2005 adaptation of Bizet’s opera Carmen. The score is a mix of Bizet & South African music, which is only natural considering that the adaptation is set in a South … Continue reading →

Posted in Personal ruminations & essays | Tagged , , , , , , , | 2 Comments