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Tag Archives: Christos Hatzis
New Orford celebrate their first decade
Two for two. It’s the second night of the 2019 Toronto Summer Music Festival and again it felt like a special event, this time in celebration of the tenth anniversary of the New Orford String quartet. There’s a natural connection … Continue reading
Questions for Cecilia Livingston: Balancing the Score
A little over five years ago, I interviewed composer Cecilia Livingston in anticipation of her new opera commission The Masque of the Red Death, an occasion for some marvelous comments about composing & opera (see what I mean? ). I’m not … Continue reading
Going Home Star: against Babel
I’ve been listening to Christos Hatzis’ score for the Royal Winnipeg Ballet’s Going Home Star and by that I mean that it’s constantly playing in my car over the past week. I saw the ballet earlier this month, a creation … Continue reading
RWB Going Home Star: the language of truth and reconciliation
I witnessed something extraordinary and beautiful. The Royal Winnipeg Ballet created a full-length work titled Going Home Star: Truth and Reconciliation, one of the most ambitious pieces of theatre I’ve ever seen, a ballet so remarkable that it could be … Continue reading
10 Questions for Cecilia Livingston
Known across Canada and the US for her vocal music, Cecilia Livingston is deeply involved in Toronto’s choral and opera communities, with a special focus on writing music for women’s voices. She looks forward to projects in 2014-2015 in collaboration … Continue reading
Posted in Interviews, Opera
Tagged Arts & Letters Club, Benjamin Britten, Cask of the Amontiallado, Cecilia Livingston, Christos Hatzis, Claude Debussy, Daniel Pinkham, Edgar Allan Poe, In Pace Requiescat, John Adams, La chute de la Maison d’Usher, Opera 5, Philip Glass, The Masque of the Red Death
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