Tag Archives: Les Troyens

SFO Rheingold

Posted on March 8, 2021 by barczablog

As I ponder the future of streaming performances & concerts, I’m checking out Wagner’s Ring Cycle as produced by the San Francisco Opera in 2018 in their co-production with the Washington Opera. If you go to https://sfopera.com/opera-is-on/ you choose between … Continue reading →

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1960 Les Troyens

Posted on July 5, 2018 by barczablog

It’s a testament to what might have been, this CD I’m reviewing, a relic to be sure.  In 1960 the stars didn’t quite align, wouldn’t permit the recording that was intended, Sir Thomas Beecham engaged to conduct Hector Berlioz’s mammoth … Continue reading →

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The Birth of an Opera

Posted on June 22, 2013 by barczablog

I’m enjoying The Birth of an Opera, a fascinating book by Michael Rose. My jaw dropped at the simplicity of the concept of the work, and now I’m thoroughly hooked by the smoothness of Rose’s execution. Rose combines two very … Continue reading →

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Egoyan: teaching us how to hear

Posted on April 20, 2013 by barczablog

I was certainly ready for the concert I attended tonight at Glenn Gould studio, to launch Eve Egoyans CD 5 .  Work had drained me, and yes, i’d been listening to her CD a great deal. I found myself thinking … Continue reading →

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From Troyens to Tristan

Posted on January 16, 2013 by barczablog

December seemed to be a month obsessively occupied by Hector Berlioz, particularly Les Troyens in versions onstage at the Met, the High Definition transmission, DVDs, plus the score at home.  It’s January, and Berlioz is still echoing through the corridors … Continue reading →

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High-def Troyens

Posted on January 6, 2013 by barczablog

Seeing Les Troyens at the Met Monday night, Elizabeth Bishop replaced Susan Graham as Dido, which led me to wonder who’d be singing the role in today’s high-definition broadcast. Silly me.  While it’s possible Graham was unwell Monday, her performance … Continue reading →

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Jan 1st Troyens

Posted on January 4, 2013 by barczablog

Francesca Zambello’s production of Berlioz’s Les Troyens has returned to the Metropolitan Opera.  When it premiered a decade ago it was Deborah Voigt as Cassandra, Ben Heppner as Aeneas and Lorraine Hunt Lieberson as Dido, conducted by James Levine. A … Continue reading →

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A remembered tune: Les Troyens

Posted on January 2, 2013 by barczablog

Melodies are time-machines.  I can hear a song and instantly I go back in time. Composers know this.  It’s why films often employ compositions we’ve heard before to invoke a whole set of meanings.  In Forrest Gump Robert Zemeckis accomplishes … Continue reading →

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Homesick tenor

Posted on July 21, 2012 by barczablog

Early in the act, we have a plaintive moment.  A sailor sings a tune, clearly longing for home and the company he misses there.  The quietness of the big orchestra now playing so gently after its earlier savagery seems to … Continue reading →

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Hurry September

Posted on August 10, 2011 by barczablog

In the middle of a driving rainstorm, my doorbell rang this morning.  The mailman, bless his heart, was dropping off a bundle just as the heavens opened to drench the guy,  and my mail. Among the wet items was –oh … Continue reading →

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