Tag Archives: Richard Strauss

Ariadne on Naxos in 1969 at the Opera School

Posted on September 17, 2024 by barczablog

The title of the opera is Ariadne auf Naxos, done as Ariadne on Naxos because it was being sung in English. That’s how Richard Strauss’s opera was presented back in March 1969 at the Opera School of the University of … Continue reading →

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Thinking about Richard Strauss’s death in 1949

Posted on August 29, 2024 by barczablog

On September 8, 1949 composer and conductor Richard Strauss died after a long productive life. I think of him as a romantic composer carrying on the stylistic traditions of Richard Wagner. In Salome and Elektra he was the modernist pushing … Continue reading →

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Gimeno and Moussa: Ligeti, Wagner and Strauss’s Don Quixote

Posted on April 5, 2024 by barczablog

Last night’s brilliant concert at Roy Thomson Hall from the Toronto Symphony was improved by the introductory remarks from Music Director Gustavo Gimeno, explaining his unorthodox choices. The concert may have been titled “R Strauss’s Don Quixote” but Gimeno explained … Continue reading →

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Jerskin Fendrix scores Poor Things

Posted on March 18, 2024 by barczablog

Every year in the aftermath of the Academy Awards I’m left wondering how they do it. Yes I should be in awe of the creations: but I was speaking of the awards process. Why this film and not that one? and … Continue reading →

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TSM Metamorphosis

Posted on July 29, 2023 by barczablog

Toronto Summer Music’s theme is the same as the title for last night’s concert, namely “metamorphosis”. I’m writing about it Saturday on the closing weekend of the festival. I’ve been pondering that word over and over in response to the … Continue reading →

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Salome returns to tumultuous welcome

Posted on February 4, 2023 by barczablog

The Canadian Opera Company’s co-production of Richard Strauss’s Salome returned last night in the first of seven performances to huge applause. It’s a star vehicle for Ambur Braid in the title role, a wonderful first outing for Michael Schade as … Continue reading →

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Salome: from Matthew and Mark, through Oscar, Richard and Atom

Posted on February 1, 2023 by barczablog

It can be enjoyable to trace the changes in the way a story is adapted and/or interpreted. Salome begins in the Gospels of Matthew and Mark. Matthew 14:1-11 (NIV)1 At that time Herod the tetrarch heard the reports about Jesus, … Continue reading →

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Gemma New, Kerson Leong and the TSO: “allez grand ou rentrez chez vous”

Posted on September 30, 2022 by barczablog

Last night I heard the first of the Toronto Symphony’s weekend of romantic works, responding passionately to their guest conductor, the New Zealand-born Gemma New. I noticed her intense display of commitment, yet so respectful of every collaborator in this … Continue reading →

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Interviewing Mike Fan | 范祖铭 (they) aka Tanya Smania (she): probing Tatyana’s Secret

Posted on August 25, 2022 by barczablog

I’m intrigued by the upcoming production of Tanya’s Secret produced by Opera Queens, an adaptation of Eugene Onegin, a work that seems to invite questions. Mike Fan | 范祖铭 (they) aka Tanya Smania (she) is the artistic director and driving … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Opera, Press Releases and Announcements | Tagged , , , , , , , , , , , , | 3 Comments

Schirmer Serenade: a cure for Sam’s insomnia

Posted on December 27, 2020 by barczablog

Last night Sam the dog went to bed but didn’t close her eyes. It’s disturbing. As you may have read in other recent posts, she’s sick. The liver isn’t working right, an incurable malady whether you’re a human or a … Continue reading →

Posted in Animals, domestic & wild, Books & Literature, Music and musicology, Personal ruminations & essays | Tagged , , , , | 2 Comments