Tag Archives: Richard Wagner

Adam Klein reflects on his operatic career (part 2): Peter Gelb, Robert Lepage and more

Posted on January 6, 2024 by barczablog

The reason I interviewed Adam Klein is interest: in his career, his opinions, and anything I might learn. I am a fan. Adam sang in the Lepage Ring, has been in a lot of shows at the Metropolitan Opera and elsewhere. … Continue reading →

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A Tale for Two Cities: the Battle of Alberta

Posted on December 19, 2023 by barczablog

It’s not the first time I’m jealous of Alberta. The Leafs never win The Cup, while Calgary and Edmonton have each had their moments. Joel Ivany has relocated out west, Miriam Khalil singing and teaching alongside him as they raise … Continue reading →

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Powerhouse Tristan und Isolde

Posted on October 30, 2023 by barczablog

Last night Powerhouse Opera presented an abridged version of Wagner’s Tristan und Isolde at Jeanne Lamon Hall. Powerhouse Opera is a new company begun by soprano Susan Tsagkaris in March 2022, aiming to showcase dramatic / large sized voices with … Continue reading →

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Holst’s Neptune and Wagner’s Lohengrin Prelude

Posted on November 5, 2022 by barczablog

I’ve just noticed something concerning Gustav Holst’s Planets suite. You’ve probably heard that Holst did not mean planets in the sense of astronomy but rather to be more of a meditation on the astrological significance of each planet. His seven … Continue reading →

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Another look at Alden’s Dutchman, a first look at Harold Wilson

Posted on October 24, 2022 by barczablog

Today’s matinee was the Canadian Opera Company’s closing performance of The Flying Dutchman, complete with a singer making his debut. The American bass Harold Wilson stepped in for an indisposed Franz-Josef Selig in the role of Daland. When I looked … Continue reading →

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Gimeno prepares the taste-buds for Bronfman’s Beethoven

Posted on October 13, 2022 by barczablog

It was a unique Toronto Symphony concert. Conductor Gustavo Gimeno said he had never conducted six items on a program before. It was pretty radical for me too, although I was fortunate. I noticed the unorthodox program and wrote about … Continue reading →

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COC Flying Dutchman Opens

Posted on October 8, 2022 by barczablog

I saw and heard opening night of the Canadian Opera Company’s Flying Dutchman tonight at the Four Seasons Centre, a revival of a Christopher Alden production directed for this revival by Marilyn Gronsdal. I liked it a lot. The COC … Continue reading →

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Provocative TSO program: a glimpse of Gimeno

Posted on October 5, 2022 by barczablog

It’s fun getting to know the new music director of the Toronto Symphony, Gustavo Gimeno. I’m excited both by the programming and the performances. Assembling concerts involves a curating process, picking & choosing pieces for performance. Forgive me for repeating … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Music and musicology, Opera | Tagged , , , , , , , , , , , , , , , , , , | 2 Comments

Sarah Polley & Terry Gilliam, The Torturer’s Apprentice

Posted on August 31, 2022 by barczablog

Violence is everywhere these days. Excuse me for stating the obvious. I’ve recently seen an adaptation of Shakespeare’s Titus Andronicus that plays with our imaginations, encouraging us to feel for the people getting hurt in the play. Sometimes it’s much … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Opera, Psychology and perception | Tagged , , , , , , , , , | 5 Comments

Competing icons at the RCM: Gould, Liszt and others

Posted on August 10, 2022 by barczablog

It’s a branding exercise to give a building a name. Roy Thomson has his hall. Both Rogers and Four Seasons have Centres. They already have The Glenn Gould School in the Royal Conservatory of Music. So why not also give … Continue reading →

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