Tag Archives: Richard Wagner

François Girard’s Flying Dutchman

Posted on January 30, 2021 by barczablog

François Girard’s production of Richard Wagner’s The Flying Dutchman is tonight’s free opera on the Metropolitan Opera website, available also tomorrow until the early evening when Rigoletto takes over. It’s new as in, having premiered in 2020. I heard & … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , | Leave a comment

Wagner, Mendelssohn, Korngold & beyond with Sam

Posted on December 29, 2020 by barczablog

Sam appears to be feeling a lot better. Last week began with her staggering weakly, doing a scary impersonation of a carcass (lying on her side so forlorn in appearance that a couple of times I was asked to check … Continue reading →

Posted in Art, Architecture & Design, Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera | Tagged , , , , | Leave a comment

Looking back, aka Alex Ross’s Wagnerism: Art and Politics in the Shadow of Music

Posted on December 28, 2020 by barczablog

I’m ending 2020 with a pair of complementary book reviews. No they’re not in any way similar in their topics, yet they frame the transition to a new year rather well. Fareed Zakaria’s Ten Lessons for a Post-pandemic World, (the … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Opera, Politics | Tagged , , , , , , , , , , , , , , , , | Leave a comment

Beethoven 250: 2020 vision

Posted on December 15, 2020 by barczablog

It’s an oxymoron of a year, this 2020 that is a little over two weeks from its conclusion. Social butterflies (those of us who self-identify as extroverts & are therefore energized by other people) have no choice but to go … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology | Tagged , , , , , , , | Leave a comment

Beethoven’s 250th

Posted on November 2, 2020 by barczablog

Ludwig van Beethoven was born in December of 1770. I suppose the only people who might care about the precise date would be those of us who want to throw Ludwig a party. In my day one was taught that … Continue reading →

Posted in Music and musicology, Personal ruminations & essays | Tagged , , , | 1 Comment

Pondering wandering

Posted on April 14, 2019 by barczablog

I like the sound of that headline. As I do what it says, pondering wandering, I am a bit lost in the ambiguities. If we knew where we were going it wouldn’t be wandering, would it. The time of year … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Spirituality & Religion | Tagged , , , , , , , , , , | Leave a comment

Episode V: beyond popularity

Posted on March 14, 2019 by barczablog

Films with live accompaniment are becoming a regular experience. I don’t mean that the novelty is wearing off, at least I hope not. But what began as an experiment has become a new revenue-stream for the Toronto Symphony, somewhere between … Continue reading →

Posted in Cinema, video & DVDs, Opera, Personal ruminations & essays | Tagged , , , , , , , , , , , , | Leave a comment

TSO: Sir Andrew Davis Conducts Wagner

Posted on February 1, 2019 by barczablog

If you’re a fan of the music of Richard Wagner chances are you’re fully aware that the Toronto Symphony are showcasing some of his best known music this week, in a concert tonight that repeats Saturday Feb 2nd. After three … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , | 16 Comments

Wagner & Sibelius insights with Margarete von Vaight

Posted on September 13, 2018 by barczablog

There’s so much to know about some repertoire, a little flash of insight about this song or that role can get lost in the massive store-house of knowledge. It used to be said among my circle of friends at university … Continue reading →

Posted in Music and musicology, Personal ruminations & essays | Tagged , , , , , | Leave a comment

Oxymoronic Gould Transcriptions

Posted on July 29, 2018 by barczablog

It seems like a lifetime ago, back when Glenn Gould was still alive. I’d first learned of him in my childhood as the one who showed us a new approach to Bach, a famous performer who had then abandoned live … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , | 3 Comments