Tag Archives: Robert Lepage

Anticipating David James Brock’s upcoming Room of Keys: an interview

Posted on April 2, 2026 by barczablog

Room of Keys is David James Brock’s one act play, created with Adam Sherkin of Piano Lunaire, inspired by Béla Bartók’s Bluebeard’s Castle (1918). It’s natural that a mysterious symbolist play invites exploration. As with the piano paraphrases of La … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged Adam Sherkin, Arnold Schoenberg, Bela Bartok, Bluebeard's Castle, classical-music, David James Brock, erwartung, La Reine-Garçon, music, NanoSTAGE, opera, piano, Piano Lunaire, Robert Lepage, Room of Keys, Timothee Chalamet, writing | Leave a comment

A closer look at the COC’s zany Barber of Seville

Posted on February 22, 2026 by barczablog

Your tickets to the opera really are a case of “location location location”. When I saw the Canadian Opera Company’s Barber of Seville two weeks ago seated in the middle of the downstairs at the Four Seasons Centre, yes I … Continue reading →

Posted in Opera, Press Releases and Announcements, Reviews | Tagged Ariadne auf Naxos, Barber of Seville, Benjamin Britten, Canadian Opera Company, Cherie Dimaline, classical-music, Cosi fan tutte, Daniela Candillari, Dave Monaco, David Ferguson, Deepa Johnny, Elixir of Love, Four Seasons Centre, Gioachino Rossini, Ian Cusson, Ian Derrer, Joan Font, Joan Guillén, La Traviata, Luca Pisaroni, Luke Sutliff, music, Nathan Keoughan, opera, Perryn Leech, Pietro Adaini, Renato Girolami, Richard Strauss, Robert Lepage, Rossini, theatre, Turn of the Screw | Leave a comment

Accompanying Lepage to The Far Side of the Moon

Posted on December 24, 2025 by barczablog

Sometimes my need to explain myself leads to huge introductions that may confuse or perplex, pre-ambulations that happen both on foot and in the words of the blog. As 2025 closes I escaped into recreation at the Red Sandcastle Theatre, … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Dance, theatre & musicals, My mother | Tagged 887, Apollo-Soyuz, Birdman, brother, Buster Canfield, Cosmonaut, critic, criticism, Emile Nelligan, Eric Woolfe, Ex Machina, Far Side of the Moon, flea circus, Klimt, magic show, Michele Lalonde, mother, mothers, Pink Floyd, Red Sandcastle Theatre, Reviews, Robert Lepage, Speak White, The Far Side of the Moon, War Requiem | Leave a comment

The Far Side of the Moon takes us into Robert Lepage

Posted on November 2, 2025 by barczablog

If you are a fan of theatrical presentations, brilliant design and innovative stage techniques you must get a ticket to see Far Side of the Moon by Robert Lepage / Ex Machina at the Bluma Appel Theatre until November 16th. … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged Bluma Appel Theatre, Ex Machina, Konstantin Tsiolkovsky, Laurie Anderson, Olivier Normand, Robert Lepage, space elevator, space flight, The Far Side of the Moon | 5 Comments

COC’s highly original Roméo et Juliette

Posted on October 6, 2025 by barczablog

It might be the best-known of all Shakespeare stories, the star-crossed lovers, dying young for love. Romeo and Juliet becomes Roméo et Juliette when a French composer such as Charles Gounod (1867) is telling the story in music. The rental … Continue reading →

Posted in Opera, Reviews | Tagged Alex Hetherington, Amy Lane, Canadian Opera Company, Charles Gounod, Gordon Bintner, Jules Barbier, Kseniia Proshina, Megan Latham, Michel Carré, music, opera, Owen McCausland, Robert Lepage, Robert Pomakov, Roméo et Juliette, Romeo and Juliet, Sandra Horst, Stephen Costello, surtitles, theatre, Yves Abel | 2 Comments

Robert Lepage’s Macbeth at Stratford

Posted on September 6, 2025 by barczablog

Bruce asked me whether the Scottish play is worth seeing. I had seen it from the front row, able to see every detail of the complex presentation in the Avon Theatre, less Shakespeare’s immortal play than Robert Lepage’s Macbeth. YMMV … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Opera, Reviews | Tagged 887, Avon Theatre, Bertold Brecht, Bluebeard's Castle, Canadian Opera Company, Eonnagata, erwartung, Ex Machina, Gesamtkunstwerk, John Gzowski, Lucy Peacock, Macbeth, Needles and Opium, Richard Wagner, Robert Lepage, Stratford Festival, The Tempest, Tom McCamus, Verfremdungseffekt, William Shakespeare, YMMV | 2 Comments

Faust Adaptations

Posted on November 4, 2024 by barczablog

Today I saw the closing performance of the Canadian Opera Company’s new production of Gounod’s Faust, in a week when it seemed everyone was selling their soul to the devil even without the manifest falsehoods of politicians at election time. … Continue reading →

Posted in Cinema, video & DVDs, Opera, Personal ruminations & essays | Tagged Ariane Cossette, Canadian Opera Company, Centre Stage, Cesare Siepi, Charles Gounod, F W Murnau, Faust, Franz Schubert, Gretchen am Spinnrade, Hector Berlioz, Jerome Hines, Jessica Harper, Johannes Debus, Kyle Ketelsen, La Damnation de Faust, Nabucco, Paul WIlliams, Phantom of the Paradise, Robert Lepage, Szymon Mechlinski, Walpurgisnacht Ballet | Leave a comment

Adam Klein reflects on his operatic career (part 2): Peter Gelb, Robert Lepage and more

Posted on January 6, 2024 by barczablog

The reason I interviewed Adam Klein is interest: in his career, his opinions, and anything I might learn. I am a fan. Adam sang in the Lepage Ring, has been in a lot of shows at the Metropolitan Opera and elsewhere. … Continue reading →

Posted in Interviews, Opera | Tagged Adam Klein, agism, Benjamin Zander, Das Rheingold, Gandhi, Leonardo da Vinci, Little Match Girl, Loge, lookism, Mark Down, Metropolitan Opera, Metropolitan Opera High Definition Broadcast, Peter Gelb, Phelim Mc Dermott, Richard Fredericks, Richard Wagner, Robert Lepage, Satyagraha, The Nose, William Kentridge, Yaryshkin | 4 Comments

Adam Klein reflects on the beginning of his operatic career

Posted on January 2, 2024 by barczablog

How do we begin? It’s a good question to ask on January 1st. I am a big fan of tenor Adam Klein. I saw him play Loge in the Robert Lepage production of Das Rheingold, just about the only singer who … Continue reading →

Posted in Art, Architecture & Design, Interviews, Opera | Tagged Adam Klein, Amahl and the Night Visitors, Claude Debussy, Das Rheingold, David Fallis, David Wright, Eric Solstein, Gene Boucher, Harold C Schonberg, Judith Blegen, Louis Quilico, Maurice Maeterlinck, Metropolitan Opera, Patricia Windrow, Paul-Émile Débert, Pelléas et Mélisande, Robert Lepage, Silence of the Lambs, Thomas Stewart, Winterreise | Leave a comment

The Master Plan, Toronto vs Google

Posted on September 14, 2023 by barczablog

Crow’s Theatre opened The Master Plan tonight, the world premiere of Michael Healey’s adaptation of Josh O’Kane’s book Sideways: the city Google couldn’t buy. Directed by Chris Abraham featuring a powerful ensemble cast this is the most fun I’ve had … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals | Tagged Amelia Scott, Ben Carlson, Bill Denning, Chris Abraham, CNN, Crow's Theatre, Dan Doctoroff, Google, Jennifer Keesmaat, Josh O'Kane, Joshua Quinlan, Michael Healey, Mike Shara, Peter Fernandes, Peter Hinton, Philippa Domville, Robert Lepage, saturday night live, Sideways, Tara Nicodemo, The Master Plan, Yanna McIntosh | 2 Comments