Tag Archives: Royal Conservatory of Music

Korngold’s other film-score

Posted on March 26, 2024 by barczablog

On April 7th the ARC Ensemble present a concert “The Viennese in Los Angeles”, a happier title than what they might choose to call it, from composers in exile. In the promotion for the event we’re told that for the … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology | Tagged A Midsummernight's Dream, ARC Ensemble, Erich Wolfgang Korngold, Ernest Kanitz, Felix Mendelssohn, Kevin Ahfat, Leni Riefenstahl, Max Reinhardt, Robert Müller-Hartmann, Royal Conservatory of Music, Simon Wynberg, Triumph of the Will, Warner Brothers | Leave a comment

Chamber Works by Robert Müller-Hartmann from ARC Ensemble

Posted on December 3, 2023 by barczablog

For the fan of chamber music seeking something beautiful but unlike their usual music, for the collector who needs something new and different, this is an ideal gift. About a year ago I was thrilled to attend a concert by … Continue reading →

Posted in Music and musicology | Tagged ARC Ensemble, Erika Raum, Kevin Ahfat, Marie Bérard, Music in Exile, Ralph Vaughan Williams, RCM, Robert Müller-Hartmann, Royal Conservatory of Music, Simon Wynberg, Steven Dann, Thomas Wiebe | Leave a comment

TSM Metamorphosis

Posted on July 29, 2023 by barczablog

Toronto Summer Music’s theme is the same as the title for last night’s concert, namely “metamorphosis”. I’m writing about it Saturday on the closing weekend of the festival. I’ve been pondering that word over and over in response to the … Continue reading →

Posted in Music and musicology, Reviews | Tagged Aaron Schwebel, Carl Lyons, Francis Poulenc, Johannes Brahms, Jonathan Crow, Keith Hamm, Koerner Hall, Michelle Cann, Rémi Pelletier, Richard Strauss, Royal Conservatory of Music, Rudolph Leopold, Sheila Jaffé, Toronto Summer Music, University of Toronto | Leave a comment

Best of 2022

Posted on January 9, 2023 by barczablog

I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera | Tagged Against the Grain Theatre, Alexander Neef, ARC Ensemble, Arkady Spivak, Canadian Opera Company, CERB, Chris Abraham, Conan and the Stone of Kelior, Corey Arnold, Crow's Theatre, Eldritch Theatre, Elisa Citterio, Eric Woolfe, Gay for Pay, Gould's Wall, Gustavo Gimeno, Joel Ivany, Kyle McDonald, Lauren Pearl, Michael Hidetoshi Mori, Nicole Lizée, OCADU, Perryn Leech, RCM, Royal Conservatory of Music, RUR A Torrent of Light, Simon Wynberg, Sweeney Todd, Tafelmusik, Talk is Free Theatre, Tapestry Opera, The Lion Heart, TIFT, Toronto Symphony Orchestra, TSO, Wajdi Mouawad, Yuja Wang | Leave a comment

ARC Ensemble plays The Music of Robert Müller-Hartmann

Posted on November 14, 2022 by barczablog

Today I had the exquisite pleasure of a live encounter with the music of Robert Müller-Hartmann, through the ARC Ensemble at the Royal Conservatory of Music’s Mazzoleni Concert Hall, playing a program to be broadcast by CBC Radio 2. I’ve … Continue reading →

Posted in Reviews | Tagged Alberto Hemsi, ARC Ensemble, CBC Radio 2, Chandos, Dmitri Klebanov, Erika Raum, Hans Krása, Kevin Ahfat, Marie Bérard, Mazzoleni Concert Hall, Music in Exile, Ralph Vaughan-Williams, Robert Müller-Hartmann, Royal Conservatory of Music, Simon Wynberg, Steven Dann, Thomas Wiebe, Viktor Ullmann | Leave a comment

ARC Ensemble: Chamber works by Alberto Hemsi

Posted on November 4, 2022 by barczablog

ARC Ensemble are the Artists of the Royal Conservatory of Music in Toronto. They are superb players but they’re also important because of the work they do. For example, their new recording Chamber Works by Alberto Hemsi, that was just … Continue reading →

Posted in Music and musicology | Tagged Alberto Hemsi, ARC Ensemble, Coplas Sephardies, Danze nuziali greche, Emily Kruspe, Erika Raum, Julien Altmann, Kevin Ahfat, Marie Bérard, Music in Exile, Pilpúl Sonata, Royal Conservatory of Music, Steven Dann, Tom Wiebe | 1 Comment

Competing icons at the RCM: Gould, Liszt and others

Posted on August 10, 2022 by barczablog

It’s a branding exercise to give a building a name. Roy Thomson has his hall. Both Rogers and Four Seasons have Centres. They already have The Glenn Gould School in the Royal Conservatory of Music. So why not also give … Continue reading →

Posted in Art, Architecture & Design, Books & Literature, Music and musicology, Opera | Tagged Brian Current, Franz Liszt, Géza Stremeny, Gesamtkunstwerk, Glenn Gould, Gregory Finney, Lauren Pearl, Liza Balkan, Lydia Perović, modernist, Richard Wagner, Royal Conservatory of Music, Tamás Fekete | Leave a comment

Gould’s Wall

Posted on August 6, 2022 by barczablog

Tapestry Opera have premiered Brian Current’s new site-specific work Gould’s Wall, an event that adds another layer to the association between the Royal Conservatory of Music and one of their most distinguished alumni Glenn Gould. I like it more than … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged Brian Current, Canadian Opera Company, Glenn Gould, Jennifer Tung, Lauren Pearl, Liza Balkan, Michael Hidetoshi Mori, Roger Honeywell, Royal Conservatory of Music, Tapestry Opera | 1 Comment

Immortal Glenn Gould

Posted on July 29, 2022 by barczablog

I want to write something about Glenn Gould. Who is he, what is his legacy in 2022? I’m thinking about what GG means to me as I anticipate Tapestry Opera’s premiere of Gould’s Wall, a new site-specific opera opening August … Continue reading →

Posted in Art, Architecture & Design, Books & Literature, Dance, theatre & musicals, Music and musicology, Opera | Tagged Brian Current, Glenn Gould, Gould's Wall, JS Bach, Liza Balkan, Marshall McLuhan, Michael Mori, Richard Wagner, Royal Conservatory of Music, Ruth Abernethy, Tapestry Opera | Leave a comment

ARC Ensemble –Dmitri Klebanov Chamber Works

Posted on October 26, 2021 by barczablog

Exile doesn’t just occur when you’re distant from your homeland. What about artists ignored or silenced inside their country? I never thought of it that way before reading Simon Wynberg’s excellent essay in the liner notes to ARC Ensemble’s new … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Politics, Reviews, University life | Tagged anti-Semitism, ARC Ensemble, Bernard Herrmann, Dmitri Klebanov, Dmitri Shostakovich, Erika Raum, exile, Gustav Mahler, Kevin Ahfat, Marie Bérard, North by Northwest, Royal Conservatory of Music, Simon Wynberg, Steven Dann, Thomas Wiebe | 1 Comment