Category Archives: Music and musicology

TSO All Tchaikovsky

Posted on November 29, 2019 by barczablog

I came to hear Tchaikovsky at the Toronto Symphony and was rewarded with one of the most brilliant performances of his violin concerto that I’ve ever heard. The program at Roy Thomson Hall featured three works by the popular Russian … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , | Leave a comment

Questions about Melancholiac: the Music of Scott Walker

Posted on November 28, 2019 by barczablog

Long ago I stumbled upon Scott Walker, via a cassette with the hand-written inscription The Godlike Genius of Scott Walker. I remember wondering: is this for real? What may have been at least part ironic self-mockery was upon closer inspection … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology | Tagged , , , , , , | 2 Comments

Met HD Akhnaten

Posted on November 24, 2019 by barczablog

Yesterday I watched Philip Glass’s opera Akhnaten as presented in the Metropolitan Opera’s High Definition broadcast on a big screen in Scarborough, at the same time people were watching it in many places around the world. I wish the Canadian … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays, Politics, Reviews, Spirituality & Religion | Tagged , , , , , , , , , | Comments Off on Met HD Akhnaten

Eight Singers Drinking: and Singing

Posted on November 9, 2019 by barczablog

While eight singers may have been drinking eight drinks at 8:00 pm on November 8th no one ate much of anything. (see what I did there?) At first I just thought it was a fun exercise, an excuse for a … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , | 1 Comment

New & Improved Don Giovanni

Posted on November 3, 2019 by barczablog

I saw Opera Atelier’s revival of Don Giovanni that’s running at the Ed Mirvish Theatre.  I loved it last time & it continues to thrill me as though it weren’t an opera I’ve known since childhood. But it feels new.  … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , , , | Leave a comment

Opera Atelier Don Giovanni: Toronto context

Posted on October 28, 2019 by barczablog

Two down, one to go as far as the big operas are concerned. Robert Wilson’s Turandot and David McVicar’s Rusalka, a pair of fairy-tale operas in visually brilliant productions have finished at the Canadian Opera Company, while Opera Atelier are … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays | Tagged , , , , , , , , | Leave a comment

Skye Consort and Emma Björling: right after trick-or-treating

Posted on October 22, 2019 by barczablog

Within the first ten seconds of this new CD I knew I was going to like it. It’s Skye Consort & Emma Björling, and the first cut on the album is “Herr Hillebrand”, a traditional Medieval Swedish ballad, in Swedish. … Continue reading →

Posted in Music and musicology, Popular music & culture, Press Releases and Announcements, Reviews | Tagged , , , , , , , , , | Leave a comment

Singing through Centuries: TMC’s 125th

Posted on October 21, 2019 by barczablog

Today the Toronto Mendelssohn Choir celebrated their 125th anniversary with a gala concert at Koerner Hall, joined for the occasion by the Toronto Symphony Orchestra (who haven’t yet had their centennial, and who only came into existence in 1922). Led … Continue reading →

Posted in Music and musicology, Reviews, Spirituality & Religion | Tagged , , , , , , , | Leave a comment

Resonant Minorities

Posted on October 18, 2019 by barczablog

Tonight I was present at the Canadian premiere of Yang Zhen’s third installment of his “Revolution Game Trilogy”, Minorities, a Red Virgo production presented by Canadian Stage. You will recognize many things in this show. We watch five female dancers later … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Politics, Reviews | Tagged , , , , , , , , , , , , | 2 Comments

Rusalka: and now for something completely different

Posted on October 13, 2019 by barczablog

Tonight the Canadian Opera Company premiered their take on the recent Lyric Opera of Chicago production of Dvořák’s Rusalka directed by Sir David McVicar. It stands in rather stark contrast to the other current COC production, Puccini’s Turandot¸ whose mise-en-scene … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , , , , | 2 Comments