Tag Archives: Eugene Onegin

Another look at Roméo et Juliette as a departure point for reflections on criticism & dramaturgy

Posted on October 19, 2025 by barczablog

This has been a bit of a bewildering week, astonishing contrasts. I repeat my self-fulfilling mantra “I am a lucky guy,” grateful for what I’ve experienced. Wednesday was Opera Atelier’s Magic Flute, Thursday Tapestry Briefs Under Where, Friday was the … Continue reading →

Posted in Dance, theatre & musicals, Essays, Opera, Reviews | Tagged , , , , , , , , , , , , , , , , | 2 Comments

Tchaikovsky’s Pathétique from the Toronto Symphony

Posted on May 8, 2025 by barczablog

Tonight was entirely an orchestral night for the Toronto Symphony. No concerti, no soloists, just the virtuoso players of the TSO in two big works, one a world premiere. As Gustavo Gimeno suggested in his program note, tonight’s pieces “examine … Continue reading →

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COC gets Eugene Onegin

Posted on May 5, 2025 by barczablog

It seems like Tchaikovsky season in Toronto. Yuja Wang played his 1st piano concerto with the Toronto Symphony a couple of weeks ago, and the TSO play his 6th Symphony later this week. This weekend the Canadian Opera Company have … Continue reading →

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COC’s Wozzeck, a relatable opera

Posted on April 28, 2025 by barczablog

This spring season of the Canadian Opera Company feels a bit like the second coming of Alexander Neef, their former General Director. Next week we’ll be seeing the revival of Robert Carsen’s Eugene Onegin, a production that Neef brought to … Continue reading →

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Tanya’s Secret

Posted on August 27, 2022 by barczablog

Tanya’s Secret, a queer-trans Onegin, is a new adaptation of Eugene Onegin by Opéra Queens, that opened tonight at the Betty Oliphant Theatre. Let’s begin by remembering Tchaikovsky’s original: a piece full of beautiful melodies, a few wonderful arias, several … Continue reading →

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Interviewing Mike Fan | 范祖铭 (they) aka Tanya Smania (she): probing Tatyana’s Secret

Posted on August 25, 2022 by barczablog

I’m intrigued by the upcoming production of Tanya’s Secret produced by Opera Queens, an adaptation of Eugene Onegin, a work that seems to invite questions. Mike Fan | 范祖铭 (they) aka Tanya Smania (she) is the artistic director and driving … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Opera, Press Releases and Announcements | Tagged , , , , , , , , , , , , | 3 Comments

Closing matinée for Onegin

Posted on November 4, 2018 by barczablog

This afternoon’s late matinée at 4:30 pm was the final performance for Eugene Onegin in the Canadian Opera Company’s fall season. Weekend audiences can be a bit of a challenge especially in the afternoon. Oh sure, we’re all relaxed in … Continue reading →

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Centre Stage 2018: a Night of Voices

Posted on November 2, 2018 by barczablog

There are several ways to watch the annual Centre Stage competition, when young singers vie for a series of awards while seeking places in the Canadian Opera Company’s Ensemble Studio. You can watch & listen to the competitors, eight young … Continue reading →

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A closer look at Hadrian

Posted on October 28, 2018 by barczablog

Today was the closing performance of Hadrian, the new opera by Rufus Wainwright and Daniel MacIvor, presented by the Canadian Opera Company at the Four Seasons Centre. After tonight’s display of healthy nearly-naked male bodies in a homosexual love story, … Continue reading →

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Pushing our buttons: Hadrian, Actéon, Pygmalion and erotic opera

Posted on October 12, 2018 by barczablog

Before there was pornography, there was always opera. Slavoj Zizek spoke of opera as redundant once we had psychiatrists, which is how he explains the decline in opera in the 20th century. But maybe there are other reasons opera wasn’t … Continue reading →

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