Tag Archives: HMS Pinafore

A conversation with Doug MacNaughton

Posted on August 16, 2021 by barczablog

Doug MacNaughton is known as much for his acting as for his singing, at home in opera, operetta, music theatre and concert work. As powerful as he sounds in ONE DAY MORE Doug also has the ability to use his … Continue reading →

Posted in Animals, domestic & wild, Dance, theatre & musicals, Interviews, Music and musicology, Opera, Personal ruminations & essays | Tagged Allan Monk, Another Kind of Hero, ARP 2600, Banff, Barber of Seville, Benji, Bernard Uzan, Bob McPhee, Bobby McFerrin, Brandon University, Canadian Opera Company, Carl Stalling, Chris Dawes, Chroi, COC Ensemble Studio, COVID-19, Derek Bate, Doug MacNaughton, Dr Bartolo, Edmonton Opera, Franz Schubert, Gianni Schicchi, Gord Simmons, Gordon Bintner, Graeme Campbell, Guitarias, HMS Pinafore, Irving Guttman, Jenna Gallagher, John Beckwith, John Rea, John Turner, Les Miserables, Lula Lounge, Maestro Spinelloccio, Man of la Mancha, Mischa Aster, Mump and Smoot, Opera de Quebec, Papageno, Peter Strummer, Raoul Wallenberg, Richard Bradshaw, Richard Margison, Sam, Sancho Panza, Spike Jones, Stirling Festival, Stratford Festival, Thomas Quasthoff, Timothy Vernon, Wanderers Nachtlied, William Hutt, Winterreise, Woyzeck, Wozzeck | 3 Comments

TOT Pinafore

Posted on March 8, 2020 by barczablog

Last night’s HMS Pinafore from Toronto Operetta Theatre was a reminder of what they do best. For some works there is a kind of social contract at work, a simple plan that begins with the music and the words. If … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | Tagged Derek Bate, Gilbert and Sullivan, Guillermo Silva-Marin, HMS Pinafore, Ryan Downey, Toronto Operetta Theatre | 3 Comments

Tag Archives: HMS Pinafore

A conversation with Doug MacNaughton

TOT Pinafore

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