Tag Archives: John Beckwith

A conversation with Doug MacNaughton

Posted on August 16, 2021 by barczablog

Doug MacNaughton is known as much for his acting as for his singing, at home in opera, operetta, music theatre and concert work. As powerful as he sounds in ONE DAY MORE Doug also has the ability to use his … Continue reading →

Posted in Animals, domestic & wild, Dance, theatre & musicals, Interviews, Music and musicology, Opera, Personal ruminations & essays | Tagged Allan Monk, Another Kind of Hero, ARP 2600, Banff, Barber of Seville, Benji, Bernard Uzan, Bob McPhee, Bobby McFerrin, Brandon University, Canadian Opera Company, Carl Stalling, Chris Dawes, Chroi, COC Ensemble Studio, COVID-19, Derek Bate, Doug MacNaughton, Dr Bartolo, Edmonton Opera, Franz Schubert, Gianni Schicchi, Gord Simmons, Gordon Bintner, Graeme Campbell, Guitarias, HMS Pinafore, Irving Guttman, Jenna Gallagher, John Beckwith, John Rea, John Turner, Les Miserables, Lula Lounge, Maestro Spinelloccio, Man of la Mancha, Mischa Aster, Mump and Smoot, Opera de Quebec, Papageno, Peter Strummer, Raoul Wallenberg, Richard Bradshaw, Richard Margison, Sam, Sancho Panza, Spike Jones, Stirling Festival, Stratford Festival, Thomas Quasthoff, Timothy Vernon, Wanderers Nachtlied, William Hutt, Winterreise, Woyzeck, Wozzeck | 3 Comments

A Poet’s Love

Posted on May 28, 2014 by barczablog

Writing in Opera’s Second Death, Slavoj Zizek claims that opera served a purpose at one point, before Freud & the invention of psychotherapy. Watching “A Poet‘s Love”, tonight’s concert from Talisker Players & baritone Alexander Dobson , I had parallel … Continue reading →

Posted in Books & Literature, Music and musicology, Reviews | Tagged Alexander Dobson, Alexander Rapoport, Gabriel Faure, John Beckwith, Linda Hutcheon, Robert Schumann | Leave a comment

Tag Archives: John Beckwith

A conversation with Doug MacNaughton

A Poet’s Love

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